SOUND ON SOUND
This deceptively small console conceals a sophisticated VCA automation system that can be used independently or in conjunction with external MIDI devices.
In an age of ever‑growing polyphony, Studio Electronics, best known for their vintage synth rebuilds, have returned to first principles — to create the first analogue monosynth for almost a decade. So how does this MIDI‑equipped modern classic measure up to its vintage forbears?
The division between sampler and digital recorder has grown ever narrower with the release of the Lynex, a sophisticated manipulator of high quality, 16‑bit stereo sounds that piggybacks on to any host Atari ST computer. SOS Editor IAN GILBY takes the mouse by the horns...
Low cost digital reverb comes of age according to producer Robin Lumley.
This 4-track MIDI sequencer is a step in the right direction for Casio but have the budget restrictions limited its appeal?
Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story.
Jay Chapman discovers why this 16-track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users.
Ian Gilby takes control of the Bokse US-8 Universal Syncronizer.
A chance to do some crystal gazing at product developments in the music / recording / visual fields.
Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.
Here is an alternative compiled index to All 1994 - 2001 Articles currently not on our SOS site but available on Wayback Machine internet archive.
We have compiled this index of archive SOS articles from 1994 - 2001 that are not yet on our own site. The links open the Wayback Machine internet archive version of that article.