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Earthworks’ latest stage mic punches way above its price tag!

Rode introduced the original NT1 way back in 1991, and it’s been so successful that last year they released the fifth generation of this mic.

Neve’s latest 1073 variant bridges the gap between microphone and computer.

With a Transient Designer, a de‑esser and an unusually versatile input section, there’s more to SPL’s recording channel than most.

Whether it’s sitting on your guitar pedalboard or nestled between your synthesizers, this weird and wonderful effects box oozes vintage character.

The SGR1806‑20 is a brash and spacey analogue drum synth module from Knob Technology.

Too much bleed on your close mics? Channel went down during your tracking session? This clever drum unmixing app could save the day...

Can this ring modulator live up to the standards of the old MoogerFooger?

AstroLab puts Arturia’s considerable collection of classic instruments into a single stage keyboard.

Have Lewitt invented the cure for poor mic technique?

Tired of the same old delay effects? With Lumina, you can draw, position and shape your repeats any way you like.

Rating: ★ ★ ★ ★ 4/5 Stars. Produced with Sonuscore’s expertise in multi‑layered performance engines, as seen in products such as The Orchestra, The Score, Elysion or EastWest’s Orchestrator.

Gauge’s affordable ECM‑87 has a virtual dimension.

UA’s digitally modelled version of the Boss CE‑1 analogue Chorus Ensemble now appears as part of the UAFX compact pedal range.

Oeksound’s long‑awaited third plug‑in is a quietly radical alternative to equalisation.

Looking for an all‑in‑one playing and sequencing solution? Look no further...

IK Multimedia’s monitor correction technology is now available in a standalone hardware box.

A pair of Eurorack modules from Xaoc Devices reviewed, how do the Ostrawa mixer and Bohumin expander stack up?

Rating: ★ ★ ★ ★ ★ 5/5 Stars. Emergence Audio’s latest Kontakt Instrument completes a line‑up that already includes Violin, Cello and Double Bass.

SWAM String Sections combines playability with microscopic levels of control over the sound.