SOUND ON SOUND
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This boutique compressor sounds every bit as classy and characterful as it looks.
In allowing you to create feedback loops, Reaper gives you access to a world of creative effects.
Newcomers GS Music are kicking things off in style with an ambitious polysynth.
Not all hardware loopers are created equal. This is quickly discovered when you dive deeper into creating sonic architectures...
Neumann have joined forces with Merging to create an interface that’s both excellent and accessible.
The Trinity is a three‑voice drum module with four separate synthesis algorithms to generate its sounds.
Dave Smith’s last synthesizer is a worthy farewell from a man who gave the synth world so much.
Understanding the science behind musical taste and listening preferences can help you make more effective production decisions.
We revisit Reason’s venerable virtual analogue, Subtractor.
Intuitive and powerful, this compressor can handle anything from mono up to 7.1.4 Atmos sources.
A programme of 10 Panel Talks taking place across both days at this year's GearFest UK has been announced and recently revised.
Here are some of our favourite function generators that will capably augment your patches, all weighing in at well under £200.
We don our shiniest Daft Punk helmets and get funky with Studio One’s Vocoder.
This characterful valve processor offers vari‑mu compression at a very attractive price.
Intellijel pack their considerable Eurorack experience into a single standalone synth.
Rhodes’ software recreation of their flagship instrument shows all the same painstaking attention to detail.
These two stompbox amps may look superficially the same and do have quite a lot in common, but each one seems to have been optimised for a different type of user.
Logic’s bundled delay plug‑ins might be the only delays you’ll ever need.
A new Soundtoys plug‑in is always an event, and SuperPlate is their first release in over five years. Just how super is it?