
Keyfax Software Twiddly Bits
Exploring Twiddly Bits, a collection of musical fills, riffs and embellishments played by leading session musicians and stored in MIDI file format.
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Exploring Twiddly Bits, a collection of musical fills, riffs and embellishments played by leading session musicians and stored in MIDI file format.
Exploring the Milli Keyboard interface.
The Oberheim Matrix 1000 analogue synth module recently enjoyed a relaunch, resplendent in a new cream livery. Self-confessed Matrix 1000 owner Paul White extols its virtues and exposes its vices.
Born-again Vision user Mike Collins runs down the new features in the latest version of Opcode's pro Mac sequencing package, and reveals why he now believes it's the standard to beat...
The first album from this chart-topping pianist and chanteuse was a million-seller; her second looks set to continue the trend. Ian Gilby was invited into the Craven home studio to discuss the enduring appeal of MOR.
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The JX10 was Roland's 'final analogue statement' before the advent of their ground-breaking D50. Derek Johnson reveals the good, the bad and the ugly aspects of this supersynth, now available on the secondhand market for less than a third of its original asking price.
Derek Johnson takes a look at a new addition to the still-growing Sound Canvas family.
Composing for film is an ambition shared by innumerable musicians, only a tiny percentage of whom will ever land a soundtrack job. But it can be done. Nigel Humberstone recounts his own experience of scoring a low-budget independent Hollywood movie and talks to Barry Adamson, one of a new breed of soundtrack composers, about his career to date.
Despite looking back fondly on his days as a pioneering member of groundbreaking electronic group Tangerine Dream, Chris Franke has been a solo artist for over half a decade, and has made a name for himself both in the world of film scoores and as a businessman. Ashok Prema talks to the man they call " the sequencer king".
Colin Newman discusses taking the step from being a musician to being the proprietor of a record label.
On a windswept February day in Blackpool, scores of Kraftwerk fans gathered to swap notes, watch probably the only Kraftwerk covers band in the world and generally party, while paying homage to one of the most influential electronic bands of our time. Convention organiser Paul Wilkinson brings us this report.
Martin Russ looks at the long-awaited new keyboard from Alesis and finds that it takes an alternative approach to just about everything...
A chip update is an easy way to gain new features for your studio gear - but if you don't install the replacement correctly, you could end up with anything from temporary frustration to a massive repair bill. Craig Anderton provides a step-by-step guide.
All too often we don't really pay much attention to the way our equipment looks until we come to sell it — but as Paul White shows, it only takes a few minutes of TLC to give your gear a complete facelift.
The modular, analogue synthesizer, owned by few and coveted by many, is a extraordinarily flexible beast. Many of the effects made possible by the lumbering monsters, however, can also be emulated using far more modest instruments, as Steve Howell explains.
Interested in having access to your very own PD library — on a single disk? Vic Lennard meets up with the Atari GEMini CD-ROM.
The Windows multimedia revolution grinds on... This month Brian Heywood looks at a couple of products that may help you find a multimedia heaven with the PC. Logitech Soundman Wave & Lyrrus G-Vox.
As promised, Paul Austin concludes his look at the big guns in Amiga multimedia.
Martin Russ brings you the latest Apple news, benefits from an Opcode World Tour, reveals all about the new Power Macs, and passes an instant wallpaper music recipe...