SOUND ON SOUND
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Yamaha have taken their MU90R, wired in a VL tone generator and put three-part harmoniser in the effects section. The result is the MU100R. Christopher Holder gets virtual.
Autechre's own take on techno is so far from the mainstream that the duo, Rob Brown and Sean Booth, can scarcely understand why anyone shares their tastes. The fact is that they do, in their thousands. Christopher Holder heads to Sheffield to work on his studio tan.
Composer and multi-instrumentalist Dirk Campbell is a successful TV music writer who refuses to toe the corporate line and never watches television. Dave Stewart about the complexities of an industry that offers substantial reward to those strong-minded enough to take on its challenges and contradictions.
The skills of world-class producer Don Was are constantly in demand. But, as he explains, years of taking care of someone else's work can have a disastrous effect on your own. Here, he reveals to Paul Tingen why (and how) he released a recording of his own for the first time in seven years.
Andy Keir casts a critical ear over the new Alesis rack mixer and discovers that he's in for a quiet time.
Dull, lifeless sound you can't do a thing with? Your problem could be direct injection — the scourge of modern recording, claims Glyn Cornelius.
A tremendously gifted yet private man, Greek composer Vangelis has contributed greatly to the acceptance of electronic music as an art form of its own with soundtrack work like Chariots Of Fire and Blade Runner. From 1975 to 1987, Vangelis did nearly all his recordings at his own Nemo Studios in London, a place hitherto as shrouded in mystery as the man himself. Richard Clewes dons his investigator's mac and turns his attention to Vangelis's Nemo years...
Why is no-one giving Mac sequencers away for nothing? Martin Russ dives into the sobering world of shareware and freeware.
The mathematical principles that produce beautiful images such as Mandelbrot sets can also generate intriguing music. Derek Johnson looks at a program that could make you go Atari fractal... Fractal Music.
Upgrading is becoming a regular task for many PC owners. Martin Walker gets stuck in once again, looking at hard drives, memory expansions, and faster processors.
Associating sounds with MIDI datafiles is not difficult, but does require some initial setting up. If your sequences never seem to sound the same as they did last time, Martin Walker may have the answers.
Big George looks at arranging for strings, brass and horns.
Paul White concludes his series with an exhortation to unleash your creativity...
If you're burning CDs at home, you'll obtain the best quality if your audio data is at its highest possible average signal level. Most people yawn at this and reach for the normalisation button on their audio editor, but, as Craig Anderton explains, unless you're careful, you could be doing your material a disservice...
Modern PC soundcards can deliver excellent audio performance, but are sometimes held back by the computer itself. Martin Walker shows you how to squeeze out the last drop of performance.
Using a sampler without some sort of hard drive is just not an option these days, which means that some understanding of SCSI is necessary. Devoted Akai samplist Paul Farrer explains some of the pitfalls that can befall the unwary user of SCSI'd up samplers, and examines some of the other cross-platform issues that can complicate sampling.
Sonic Foundry's Sound Forge program is renowned for offering more options and features than most users can absorb without a full-time study course! Customer Service Represetative Sean Lee offers some insider hints and tips to help you work more efficiently.
Chris Carter offers insight into motivation and stress in the studio and some possible solutions.
Last month Paul White covered gates and compressors; this month it's up to enhancers to justify their existence...
Tyneside-based DACS have been building high-quality equipment for people on a one-off basis for years, but now they've launched a range of equipment that anyone can buy. Hugh Robjohns explains why he'd rather buy British.