SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Paul White auditions a new name in active monitors, and discovers an interesting design approach that combines light weight, small size and a well-controlled bass end.
Paul White finds that Zoom's entry-level, sub-£100 effects box has hidden depths.
Paul White checks over the Alesis Wedge and finds that, despite its simplicity, its not the thin end of the reverb.
Engineers still wet behind the ears who do a Tyson (chew off your ear) about their extensive knowledge of audio — Big George Webley hates 'em. He states his case...
In less than five years, jungle has evolved from cheesy sped-up James Brown samples to some of the most innovative music around. We sent Christopher Holder to talk to Danny Koffey, one of those in the front line.
Eliot Kennedy has carved out a highly successful career for himself as a hi-tech producer and songwriter for a wave of groups at the 'teen sensation' end of the pop market, all without leaving Sheffield. Nigel Humberstone finds out how he did it.
Punk, bass player, pioneer, mystic... Paul Tingen meets a musician who lives life at breakneck speed, and isn't afraid of the dark.
An expert at hard disk recording and editing, Mike Higham has developed his career alongside Digidesign's Pro Tools. Sam Molineaux talks to an engineer who's on the fast track...
Getting a good publishing deal is as easy as predicting the toss of a coin five times in a row. Big George Webley takes a look at heads and tails.
Huge disk drives are becoming the norm for PC musicians, but there's more to installing them than plugging in and turning on. Martin Walker talks you through the hard part.
Version 8 of the Mac operating system is ready to roll, and Martin Russ is the man with the facts and figures...
Having looked at the various types of effects available, Paul White explains the importance of the order in which these effects are applied.
After a spell away from project studio consoles, Allen & Heath return with a magical new contender. Martin Walker conjures up some thoughts on the WZ20:8:2.
If the worst happened and your PC lost its memory, you could quickly recreate the same settings again. Couldn't you? Martin Walker takes an inventory.
There's still plenty of sofware and support emerging for the venerable Atari — including packages which let you get 'netted'. Derek Johnson elaborates.
Having completed his study of analogue synthesis last month, Paul Wiffen takes a look at FM and its related digital synthesis types, which rocked the synth world throughout the 1980s.
Paul White tries out a reincarnation of one of his favourite budget mics, and finds that the best has just got better.
Clavia's little red devil bought its Swedish creators a fair measure of fame and fortune on its release almost two years ago. But times have changed, and the Nord 2 now has many more competitors in the virtual analogue stakes. Paul Nagle leads from the front.
Paul White attempts to discover whether the Demeter Tube Direct is really the princess of DI.
Four inputs, four outputs, up to four simultaneous effects... Digitech have kept to the magic number for this upgrade of their user-friendly multi-effects processor, but is it a superior being? Hugh Robjohns finds out.