SOUND ON SOUND
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Expressive sequencer parts for monophonic instruments like bass and wind can be difficult to achieve — unless you understand how bass and wind players approach their instruments and how your sequencer's facilities can help you do the same thing. Craig Anderton explains.
Genelec are better known for their medium and large-sized pro studio monitors, but as Paul White discovers, their new mini active monitor could be tailor-made for the smaller private studio.
Kurzweil's flagship synth was introduced to wide acclaim in 1992. Last year, sampling was added to its list of capabilities, and now the first of the long-awaited ROM expansion boards is available. Tim James listens in and wonders if it might be time to give up his violin lessons...
Lexicon's new Vortex effects processor takes the concept of video morphing and applies it to audio effects. Paul White takes it for a spin.
Want that Mesa Boogie guitar sound for a fraction of the usual price — and from a foot pedal? Vic Lennard plugs in his trusty Strat...
Exploring Twiddly Bits, a collection of musical fills, riffs and embellishments played by leading session musicians and stored in MIDI file format.
Exploring the Milli Keyboard interface.
The Oberheim Matrix 1000 analogue synth module recently enjoyed a relaunch, resplendent in a new cream livery. Self-confessed Matrix 1000 owner Paul White extols its virtues and exposes its vices.
Born-again Vision user Mike Collins runs down the new features in the latest version of Opcode's pro Mac sequencing package, and reveals why he now believes it's the standard to beat...
The first album from this chart-topping pianist and chanteuse was a million-seller; her second looks set to continue the trend. Ian Gilby was invited into the Craven home studio to discuss the enduring appeal of MOR.
Headlining the biggest electronic music festival in Europe was a US composer almost unknown in the UK. A contemporary of synth pioneer Don Buchla, Suzanne Ciani enjoys enourmous success in America, yet such recognition has eluded her so far this side of the Atlantic.
The JX10 was Roland's 'final analogue statement' before the advent of their ground-breaking D50. Derek Johnson reveals the good, the bad and the ugly aspects of this supersynth, now available on the secondhand market for less than a third of its original asking price.
Derek Johnson takes a look at a new addition to the still-growing Sound Canvas family.
Composing for film is an ambition shared by innumerable musicians, only a tiny percentage of whom will ever land a soundtrack job. But it can be done. Nigel Humberstone recounts his own experience of scoring a low-budget independent Hollywood movie and talks to Barry Adamson, one of a new breed of soundtrack composers, about his career to date.
Despite looking back fondly on his days as a pioneering member of groundbreaking electronic group Tangerine Dream, Chris Franke has been a solo artist for over half a decade, and has made a name for himself both in the world of film scoores and as a businessman. Ashok Prema talks to the man they call " the sequencer king".
Colin Newman discusses taking the step from being a musician to being the proprietor of a record label.
On a windswept February day in Blackpool, scores of Kraftwerk fans gathered to swap notes, watch probably the only Kraftwerk covers band in the world and generally party, while paying homage to one of the most influential electronic bands of our time. Convention organiser Paul Wilkinson brings us this report.
Martin Russ looks at the long-awaited new keyboard from Alesis and finds that it takes an alternative approach to just about everything...
A chip update is an easy way to gain new features for your studio gear - but if you don't install the replacement correctly, you could end up with anything from temporary frustration to a massive repair bill. Craig Anderton provides a step-by-step guide.
All too often we don't really pay much attention to the way our equipment looks until we come to sell it — but as Paul White shows, it only takes a few minutes of TLC to give your gear a complete facelift.