SOUND ON SOUND
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This compact, versatile channel strip boasts SD card recording, USB audio interfacing and mix‑minus phone integration.
Steinberg’s Vocoder plug‑in has finally made it into the 64‑bit world and has also undergone a smart visual makeover.
Fatboy Slim’s dream of universal 303 ownership inches a little closer with this cut‑price acid box.
DP’s comp and take management features help you assemble the perfect performance.
Gig Performer is a live plug‑in platform that’s as configurable as it is crash‑proof.
Harrison’s console‑derived channel strip plug‑in majors on speed and immediacy.
Heavyocity’s supercharged sequel rockets into orbit.
Are Icon’s latest range of control surfaces the perfect interface between human and DAW?
Jack Harlow’s smash hit ‘Lovin On Me’ is the perfect marriage of old‑school sample manipulation and 21st Century laptop production.
Dual effects chains offer huge creative potential.
Most audio interface designs are based around technology from British innovators XMOS. What makes the xcore platform so ubiquitous, and what does it mean for musicians?
We help transport listeners from a small studio to the Big Easy!
Moog’s new bass soft synth goes deep. Really deep...
With new models, new effects, an IR loader and the return of the looper, this latest version of Guitar Rig has plenty to offer guitarists and producers alike.
The new Markers and Memory Locations system in Pro Tools makes session navigation easier than ever.
Low distortion is often a marker of quality in audio equipment. We explain how to make sense of standard distortion specifications.
Now we know how to get immersive in Studio One, let’s add some delay and reverb to our Atmos mixes!
If you thought the age of hugely ambitious polysynths was over, think again...
USB is at the heart of most PC‑based studios. But what do you do when it goes wrong?
As this vocal production powerhouse evolves, it’s not only growing more powerful — it’s also becoming quicker and easier to use.