SOUND ON SOUND
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Despite cramming 48 effects and 144 adjustable parameters into a box the size of a double CD case, Ineko is remarkably simple to use.
Analogue sequencers may seem simple devices, especially when compared to their computer-based counterparts, but they can be put to fantastically complex uses in the right hands. We plumb the hidden depths of the new Oberkorn...
Take a famous studio, a top session drummer and engineer, make the results 5.1 surround-ready, and what do you get? We find out if using this innovative sample library beats working...
Passive nearfields from B&W, designed to balance the needs of both project-studio and hi-fi listening.
Mutronics bring a blast from the past to a rack near you.
From its beginnings as shareware, Syntrillium's cool Edit Pro has acquired an impressive professional user base. The new version offers more features, more power, and an updated user interface.
To be successful in the music business today, you need to be flexible and multi-skilled — but not many people take these qualities as far as Damien Egan...
In addition to the usual dynamics and EQ facilities, this voice channel from Dbx offers physical modelling effects in the digital domain, allowing it to simulate the performance of different types of mics and mic amps.
The Edirol SD90 combines Roland's Sound Canvas sound set with a USB audio and MIDI interface.
Groove Control loop libraries allow you much more flexibility than traditional sample CD-ROMs, if you know how to get the most out of them.
A heavy-duty valve preamp with variable input impedance, a unique slew-rate control, and a sublime sound.
One of the most influential jazz keyboardists ever, Herbie Hancock is renowned for his innovative use of electronics and new production techniques.
**** 4 stars. Although he's served time with vintage US rockers Aerosmith, there's more to Joey Kramer's playing than a 10-ton backbeat...
Korg's Trinity and Triton have led the workstation market for so long that updating the concept can't have been easy — after all, how do you improve the best? So what's new in the Triton Studio, and will it keep Korg ahead?
While listening to Classic FM on the way home from the SOS offices recently, I heard something that set me solidly into rant mode...
We conclude our two-part examination into whether the traditional distinction between studio monitors and hi-fI speakers is justified. This month, the power-handling and compression characteristics of our four test monitors come under scrutiny...
Virtual analogue plug‑in synths are now common, and as DX‑style FM was the next great leap forward for real synths, a virtual FM synth was only a matter of time. So how does FM7 measure up to the original DX?
Phonic's new MRS1-20 brings analogue surround mixing to the project studio market for the first time.
How can I produce aggressive female vocals? Mac Or Windows? How do I eliminate flanging MIDI notes? Can I use Virtual Guitarist with Logic on a Mac? Should I record at a 24-bit resolution?