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Cloud

Essentially an internet communications network (either a Wide Area Network [WAN] or a private network) in which a data-centre performs a range of services such as data storage (cloud storage) or remote apps and programs (cloud computing). The term comes from the way network engineers used to draw system diagrams with a cloud symbol to simplify a very complex (and irrelevant) network of routers, switches, drives and cables into something that just showed the relevant external connection points.

Codec

An abbreviation formed from coder-decoder, implying a 'double-ended' processing system where a signal is encoded into a specific format before transmission or recording, and then decoded on reception or replay. An example of an analogue codec might be the Dolby A or Dolby B tape noise-reduction systems, while a digital codec might be something like the FLAC data-reduction system where redundant data is removed in the coding process and fully restored in the decoding process.

Coincident

A means of arranging two or more directional microphone capsules such that they receive sound waves from all directions at exactly the same time. The varying sensitivity to sound arriving from different directions due to the directional polar patterns means that information about the directions of sound sources is captured in the form of level differences between the capsule outputs. Specific forms of coincident microphones include ‘XY’ and ‘MS’ configurations, as well as B-format and Ambisonic arrays. Coincident arrays are entirely mono-compatible because there are no timing differences between channels.

Compact Cassette

Originally conceived as a recording format for dictation machines in the early 1960s, it became a mainstream music release format in the form of the Musicassette. A plastic shell protected 3.81mm wide (1/8-inch) recording tape which ran at 4.75cm/s. A stereo track was recorded in one direction, and the tape could be turned over to play a second stereo track recorded in the opposite direction.

Compander

An encode-decode device typically employed to pass a wide dynamic range signal over a channel with a lower dynamic range capability. The source signal is compressed in the encoder to reduce the dynamic range, and subsequently expanded by the decoder to restore the original dynamics. The Dolby noise reduction codecs are examples of companders.

Computer

A device which can be instructed (or programmed) to carry out arithmetic or logical operations. Although mechanical 'analogue' computers do exist, most are now electronic and digital, and process digital data.

Cone

A specific shape of drive unit diaphragm intended to push and pull the air to create acoustic sound waves. Most bass drivers use cone-shaped diaphragms, where the electromagnetic motor of the drive unit is connected to the point of the cone, and its outer diameter is supported by some form of flexible membrane.

Control Voltage

A variable voltage signal typically used to control the pitch of an oscillator or filter frequency in an analogue synthesizer. Most analogue synthesizers follow a one volt per octave convention, though there are exceptions. To use a pre-MIDI analogue synthesizer under MIDI control, a MIDI to CV converter is required.

Converter

A device which transcodes audio signals between the analogue and digital domains. An analogue-to-digital (A-D) converter accepts an analogue signal and converts it to a digital format, while a digital-to-analogue (D-A) converter does the reverse. The sample rate and wordlength of the digital format is often adjustable, as is the relative amplitude of analogue signal for a given digital level.

Convolution Reverb

A computationally demanding, but very accurate method, of creating artificial reverberation derived from real acoustic spaces with all their natural complexity. In essence, a reverberant space is measured to obtain its unique impulse response. That impulse response is then convolved with a 'dry' (reverberant-free) source signal to create an output signal which contains the original (dry) source signal with the desired room's reverberation characteristics imposed upon it. The convolution process is performed in the digital domain and involves multiplying each individual sample of the source signal with the impulse response of the convolving signal. The same technique can be employed to impose the characteristics of any other audio signal processing or signal-shaping device onto a source signal, such as the characteristics of legacy equalisers, compressors, tape recorders and so forth.

CPU

Central Processing Unit - the number-crunching heart of a computer or other data processor.

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