SOUND ON SOUND
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Organise your plug‑in folder with VST Plug‑in Manager.
Eponymous founder of Swedish company Sebsongs, Malmö’s Sebastian Hastrup has burst onto the Eurorack scene in recent years...
All mix engineers need technical skills — but what’s most important is our ability to bring out the emotion in the music.
Drum Workshop bring their considerable experience of drum hardware to the virtual world.
Vocoflex imposes the timbre of one or more reference voices onto another — so just how convincing are the results?
This combination of software and multi‑channel plug‑in overcomes some frustrating hurdles for those working in Atmos.
Can one bundle really meet all your mixing and mastering plug‑in needs?
The biggest hit of the decade so far took Shaboozey and his team half an hour to write — and weeks to perfect.
Does this box of tricks live up to its billing as the Swiss Army Knife of audio cables?
Introduced in Live 12, Roar is much more than just a saturation plug‑in...
Having worked as a vocal coach for a decade, producer and engineer Gili Portal trained at the Abbey Road Institute before landing her current full‑time role at London’s RAK Studios.
Tascam’s new recording mixer is the most flexible Model‑series console yet.
This pedal‑format compressor doubles up as a serious studio tool.
Have Wes Audio achieved the perfect union of analogue processing and digital control?
We get re-acquainted with some of Pro Tools’ stock plug‑ins.
PWM’s sophomore outing is an intriguing combination of old and new, co-designed by the late Chris Huggett.
Sennheiser have shrunk down their classic 421 — but have they retained everything that made it so popular?
Will Soyuz’s beautifully crafted four‑capsule mic help turn Ambisonics from a niche interest to a mainstream studio technology?
We revisit some old tape masters with the help of Logic’s new Stem Splitter.