SOUND ON SOUND
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The foundation of a good, engaging mix is a strong arrangement. But how far can you go to improve things at the mixing stage?
If you’re looking for a plug‑in that beautifully recreates the classiest of boutique amps, read on...
Pro Tools has upped its MIDI game. What can the new MIDI plug‑ins do?
Too much bleed on your close mics? Channel went down during your tracking session? This clever drum unmixing app could save the day...
The Scratch Pad is your ticket to fast, easy, non‑destructive experimentation!
Tone Projects’ range may not include many plug‑ins yet — but they’re all up there with the very best.
After 85 years of active service, the humble VU meter remains as useful as ever in today’s digital studios — despite BBC engineers nicknaming it ‘virtually useless’!
Westwood re‑imagine some classic instruments to take familiar sounds to new places.
Should you buy a specialised instrument mic, or a multi‑purpose ‘pencil’ design? With the Reshape series, you can have both...
We put Amphion’s first ever three‑way monitor design to the test.
AstroLab puts Arturia’s considerable collection of classic instruments into a single stage keyboard.
Earthworks’ latest stage mic punches way above its price tag!
IK Multimedia’s monitor correction technology is now available in a standalone hardware box.
Can this ring modulator live up to the standards of the old MoogerFooger?
Looking for an all‑in‑one playing and sequencing solution? Look no further...
Neve’s latest 1073 variant bridges the gap between microphone and computer.
With a Transient Designer, a de‑esser and an unusually versatile input section, there’s more to SPL’s recording channel than most.
Have Lewitt invented the cure for poor mic technique?
UA’s digitally modelled version of the Boss CE‑1 analogue Chorus Ensemble now appears as part of the UAFX compact pedal range.
Gauge’s affordable ECM‑87 has a virtual dimension.