SOUND ON SOUND
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Having explained the factors that come into play in designing the structure, content and appearance of a web site, Mike Simmons turns to the part that will be most important to many SOS readers: putting sound on your site.
Now that software versions of synths, processors and samplers are available for less than their hardware equivalents, many musicians are being tempted to dispense with their studio hardware and run everything inside their PCs. Martin Walker examines the feasibility of putting all your chips in one basket...
As the car ad says, "size matters!" and AVI have proved the point with their biggest loudspeakers yet, the Gravitrons. AVI say they're built 'without compromise' and 'regardless of cost'. Hugh Robjohns will see about that...
TDM plug‑in for Pro Tools
Reviewed: Mac version
Lexicon's hardware reverb units...
TDM plug‑in for Pro Tools
Reviewed: Mac version
The Aphex Aural Exciter has become...
Last month, Hugh Robjohns described the planning and setting up he undertook in preparation for recording the choir of Cheltenham College. This month, he turns his attention to the recording itself — and the problems of moving between two venues in one day.
PC DirectX only
Not all professional‑quality plug‑ins are developed by large commercial...
Paul White catches up with the man who pioneered the art of radical remixes in the '80s, and has gone on to become a hugely successful producer and songwriter.
Gordon Reid continues his series on the theory of subtractive synthesis by delving deeper into the amazingly complex world of the analogue audio filter.
As well as offering a high-quality mic preamp, equaliser, and valve compressor, the MindPrint voice channel can have digital interfacing added at a very reasonable extra cost. Hugh Robjohns does a spot of channel hopping.
Novation's latest synth is a more affordable 'laptop' version of their powerful Supernova, which capitalises on its user-friendly front panel while adding the ability to process external audio signals. Simon Trask discovers new life in the synth universe...
Under hypnosis, Paul Wiffen regresses to an earlier life when he was involved in the development and marketing of what is now regarded as a British classic.
Project Hammerfall is an unusual name for a soundcard — but then RME's new card is somewhat out of the ordinary. Martin Walker enters a world of sample-accurate sync and minimal latency.
There have been Grooveboxes and user -friendly MIDI file players, but it's been a while — nine years, in fact — since Roland last added a full-on hardware MIDI sequencer to their product line up. Now the MC80 seeks to bring the idea bang up to date. Derek Johnson & Debbie Poyser take the hard option...
The latest PC version of Steinberg's popular sequencing package incorporates a number of significant new features, including the long-awaited VST 2 and ASIO 2. Martin Walker checks them out.
Most modern digital mixers, like Yamaha's 02R, incorporate powerful built-in effects — but they frequently do this at the expense of their ability to interface with high-quality external processors. Mike Collins explores an alternative way of adding top-notch effects to the 02R...
Designing analogue circuitry to recreate drum sounds is nothing new, but Analogue Solutions have gone one stage further with their Concussor system — it's modular, making it probably the world's first commercially available dedicated modular percussion synth. Gordon Reid can scarcely control his voltages...
An inexpensive program from MPEG software veterans Xing makes MP3 ripping and encoding quick and easy. But does it produce worthwhile results? Simon Trask has a ripping time with Audio Catalyst...
Many recent singles have had their path onto radio playlists smoothed by an edit from Wise Buddah Music Ltd. Sam Inglis talks to founder Bill Padley about the business of producing and editing music that getss on the air.
Following the success of their recent 'Best Of' album, James first single for over a year was much anticipated — especially as it saw them renew their relationship with production legend Brian Eno. Tom Flint reports