SOUND ON SOUND
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Digitech's Quad 4, like its predecessor, can treat up to four signals independently, parcelling out its processing power according to your requirements. Could this be the only multi-effects unit you need? Hugh Robjohns finds out...
With an excellent audio specification and lots of inputs and outputs, Event's Layla looks an ideal candidate for many small computer-based recording studios. Martin Walker gets plugged in.
Analogue Systems have expanded their RS Integrator modular range to include an analogue step sequencer and several new modules — as well as a new, complete high-end system.
Designed as a replacement for high-end tape-based multitracks, Otari's original RADAR 24-track random access recorder/editor captured a sizeable chunk of the pro market. We take a look at its successor, RADAR II, which offers a host of enhancements including 24-bit audio.
Legendary rockers Deep Purple are back with a new, self-produced album. Sharon Stancavage talks to bassist Roger Glover and engineer Darren Schneider about how it was recorded.
The East German company Microtech Gefell only became known in the West after the fall of the Berlin Wall, but it was founded by no less a man than Georg Neumann in 1943. Hugh Robjohns tests a new mic with an impressive pedigree...
Samples, re-sampling, looping, cutting and pasting — is it all getting too easy? Is the phrase 'dance music' becoming an oxymoron?
With several successful dance-oriented synth successes to their name, Quasimidi attempt to buck the trend with their latest offering. The Polymorph does offer plenty to interest the dance fraternity — real-time modulation knobs, and an analogue-style sequencer and user interface — but behind the façade lurks a powerful synth.
Sam Inglis roots around in the dustbin of history and fishes out one of the few Roland analogue instruments you can still afford without a second mortgage. Does it deserve to be rehabilitated?
Akai samplers, in their familiar off‑white rackmount cases, have become fixtures in studios all over the world. Their latest models may use the same colour scheme, but they offer an entirely new user interface and a host of powerful new features.
Brass and reed instruments present some challenging problems to the recording engineer, whether played by soloists or sections. Hugh Robjohns offers some hints and tips.
US software and hardware innovators Opcode have come far since their first MIDI-only sequencer in the late '80s; the latest descendent of that program, Vision DSP, incorporates 24-bit audio recording and compatibility with VST plug-ins. Bob Dormon focuses on the new features in this latest Vision...
Sony's new mid-priced multi-effects unit boasts four-channel operation, 200 preset effects algorithms, comprehensive user programming capability, and great sound quality to boot. Hugh Robjohns spins that dial...
The TGX10 is a dynamic/moving‑coil pressure‑gradient microphone with a supercardioid polar pattern and a capsule...
MIT make a range of 'Audio Interface Networks' that are essentially replacement leads for various applications. They all...
It's rather too early to say if the 2Gb Jaz drive will become an 'industry standard' means of interchanging audio files, but in the short‑to‑medium term, it seems to have a lot going for it.
If the name Yorkville doesn't mean a lot to you, don't worry, you're in good company — I'd never heard of them before...
Derek Johnson & Debbie Poyser check out a product which offers up to four minutes of sample time, 22 different effects, audio processing and resampling facilities — for £199. If you'd been reading this only a few years ago , you'd have assumed that some digits had been missed off the price...
It's ever SOS reader's dream to make a record at home and have it go straight into the top five. David Lowe tells Paul White how it's done.