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Software Audio Workshop & Cakewalk Professional

Exploration

A true understanding of any piece of studio gear only comes after using it for months, or even years. 1995's Reader Survey suggested that more features would be welcome from people with such 'Long-term' gear experiences, so, in the first part of this occasional series, Janet Harniman-Cook reveals the truth about her PC sequencing and digital recording setup.

Published January 1996
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Tangent Music

Amiga Notes

Paul Overaa goes behind the scenes at Tangent Music and discovers a rather unusual Amiga connection...

Published January 1996
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Alesis QS6

Synthesizer

With new sounds, a new operating system and a lower price, the QS6 looks set to attract its fair share of admirers. Rob Brady tickles the ivories...

Published January 1996
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Tape Noise Reduction

Exploration

Noise reduction comes in various guises, with Dolby alone offering five different systems. Paul White explains the difference between Dolby, dbx and a bag on your head...

Published January 1996
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World Wide Web

Atari Tips & Techniques

The information superhighway, the 'Net, you name it, the hype just goes on and on... Ofir Gal finds out how music-making Atari users can join in the fast lane.

Published January 1996
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Audio Technica ATM33a & ATM10a

Artiste Series Back-Electret Mics

Can these two low-cost back-electret mics really deliver studio-quality performance? Paul White finds out.

Published January 1996
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Emu Darwin

Digital Audio Disk Recorder

Having led the way in the '80s sampling revolution, Emu have turned their attention to the '90s discipline of hard disk recording with the Darwin digital recorder. Paul Ward checks out the new species on the block...

Published January 1996
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Fita Live

Single Channel Parametric EQ

Where equalisers are concerned, quality is more important than quantity, but does this Swiss-made equaliser justify its hefty price tag? Paul White finds out.

Published January 1996
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Korg Trinity Plus: Part 2

Music Workstation

Part 2: Gordon Reid concludes his review of Korg's new family of workstations.

Published January 1996
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MOTU Freestyle

PC Sequencer

This unconventional sequencer program aims to let musicians work like musicians rather than computer programmers, and has already met with an enthusiastic response in its original Mac version. Paul Nagle hand-picks his virtual musicians and gets jamming.

Published January 1996
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Rogers LS1

Nearfield Monitors

When Paul White heard that Rogers had built the LS1 low-cost monitors for home studio use, he was keen to try them out. But could they deliver Rogers' quality at such a low price?

Published January 1996
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Beyerdynamic DT250

Headphones

Enclosed headphones that are sensibly priced, comfortable, and sound as accurate as a pair of good monitors — is it possible?

Published December 1995
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Fostex DMT8

Digital Multitracker

Paul White visits the future of home recording, where tape heads never need cleaning, cassettes never jam and mistakes can be undone at the touch of a button.

Published December 1995
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Iomega Zip 100

Zip Drive

Anyone into sampling or hard disk recording appreciates the need for a low-cost, high-capacity, archivable storage medium — and that's exactly what Iomega's Zip 100 drive delivers. Paul White gives it a spin...

Published December 1995
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Korg Trinity Range: Part 1

Music Workstation

Korg shook the hi-tech recording world in 1988 with the introduction of the M1 workstation. With their new Trinity range, Korg are attempting to update the workstation concept for the 1990s. In the first instalment of this two-part review, Gordon Reid assesses how they have fared.

Published December 1995
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MIDI + Audio: Top 4 Mac Programs Compared

Software

The latest big thing in computer-based sequencing is the integration of real-world audio and MIDI data within the same program. Mike Collins puts the four leading Macintosh contenders head to head to see how they compare across a range of facilities.

Published December 1995
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MOTU Unisyn

Universal Editor/Librarian

Windows users looking for comprehensive and professional editor/librarian support for their MIDI instruments may not need to look any further. Paul Nagle perks up his patches with Unisyn.

Published December 1995
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Presence Audio ZYP A2S

Miniature Nearfield Monitors

Paul White checks out what must be one of the smallest serious monitors ever.

Published December 1995
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Tech 21 Sansamp XXL

Hi-tech Overdrive Unit

Paul White tries out a new overdrive pedal that was clearly named after a very large T-shirt.

Published December 1995
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Technics SX-WSA1

Acoustic Modelling Synthesizer

Technics' first foray into the pro synth market, the WSA1, catapults them to the front of the pack. Martin Russ discovers whether acoustic modelling synthesis really can create gold sounds from base metal.

Published December 1995

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