SOUND ON SOUND
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SSL's latest software release builds on the concept of their X-EQ 2 plug-in in an effort to provide users with the definitive tool for all their recording, mixing and mastering needs.
The latest addition to Shure's vocal mic line-up promises to deliver enhanced clarity and feedback resistance thanks to an innovative new dual-transducer design.
When Focusrite’s Scarlett interfaces reached their fourth iteration with the launch of the Gen‑4 models in August 2023,...
SWAM String Sections combines playability with microscopic levels of control over the sound.
EHX have used digital technology to coax three different characters of drive from a single pedal.
The SGR1806‑20 is a brash and spacey analogue drum synth module from Knob Technology.
A pair of Eurorack modules from Xaoc Devices reviewed, how do the Ostrawa mixer and Bohumin expander stack up?
Drawing its inspiration from vast swaths of desert in the American Southwest, the Mojave is concerned with all things granular.
Effects, particularly spatial effects, constitute a relatively modern facet of modular synthesis, but this need not mean they should only be used as enhancement for existing sounds created on other modules.
Tired of the same old delay effects? With Lumina, you can draw, position and shape your repeats any way you like.
Oeksound’s long‑awaited third plug‑in is a quietly radical alternative to equalisation.
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Emergence Audio’s latest Kontakt Instrument completes a line‑up that already includes Violin, Cello and Double Bass.
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Spitfire’s Crystal Bowls features seven quartz singing bowls played by composer Aska Matsumiya.
Rating: ★ ★ ★ ★ 4/5 Stars. Produced with Sonuscore’s expertise in multi‑layered performance engines, as seen in products such as The Orchestra, The Score, Elysion or EastWest’s Orchestrator.
Rating: ★ ★ ★ ★ ★ 5/5 Stars. State Machine’s designers suggest that Slow Drift's focus is on ethereal textures, though in reality it offers up a wide selection of preset styles, much as a hardware synth might do.
GG has worked with some of pop’s most formidable acts, from Little Mix to Madonna.
With its unique leftfield tones and engaging, unusual playing mechanics, it’s not hard to see why the Omnichord has become sought after by sonic experimentalists.
These four audio clips illustrate the points made in the Cubase workshop in SOS May 2024.
These audio files available accompany the Mix Rescue article in SOS May 2024 featuring the song ‘The Winds Of Gypsy Moor’ by the Ferryboat Men.
One of the good things about analogue gear, supposedly, is that it doesn’t suffer from built‑in obsolescence. But for how long?