SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Fletcher ElectroAcoustics' Voice Channel is a modern reincarnation of a vintage classic compressor, repackaged with a high-spec mic amp and an enhancer.
3G's new 4-buss Mynah Plus is not just a mixer — it also features built-in single-ended noise reduction. But does this lift it above the competition? Paul White finds out.
Roland have moved into the active monitor market with a product which offers digital inputs and a 'Speaker Modelling Function' courtesy of their V-series recorders and mixers. Technology overkill or a studio necessity? Hugh Robjohns finds out...
Nice 4-band equalisers are not uncommon, but this one includes dynamic filtering and equalisation in a bid to lift it above the competition. Hugh Robjohns finds out what 'expounding' can do for your mixes.
Getting great recorded vocals can seem like rocket science, especially with all the complicated editing and processing tools that Logic now provides. So here we'll be giving you the advice you need to produce that big commercial sound.
Queens Of The Stone Age's fourth album Lullabies To Paralyze has cemented their position as the biggest and most exciting rock band in the world. Engineer and co-producer Joe Barresi describes the combination of old-school technique and far-out experiment that went into its making.
Using a combination of dummy load and speaker simulator lets you record your favourite valve guitar amp at full tilt without disturbing your neighbours. The trouble is, none of the designs so far have managed to sound close enough to a real speaker. Could this be the one that finally nails it?
The Kaoss Pad Entrancer builds on the success of the Kaoss Pad 2, offering the same versatile X-Y pad-driven audio processing capabilities, but adding video processing to give you real-time control over both sound and vision.
Classic studio signal processors such as the vintage Urei 1176 limiting amplifier impart a unique sound while keeping levels under control, but are rare and expensive. Purple Audio have an answer in the form of the MC76 — an old idea revisited. Hugh Robjohns does the time warp again...
With almost 20 self-contained digital multitrackers on the market, either new or second-hand, it can be hard to decide which one is for you. Debbie Poyser & Derek Johnson discuss the options and round up the available models.
Roland's new V-Bass refines the technology developed for the pioneering V-Guitar systems to meet the demands of bass players.
Multi‑pattern microphones traditionally have true capacitor capsules and are correspondingly relatively expensive — until now. We test AKG's affordable new C4000B, the first dual‑diaphragm, multi‑pattern mic with an electret capsule.
Having tested the waters with the low-cost CDR630, Marantz are now set to challenge professional compact disc recorders higher up the ladder. Paul White takes the new CDR640 for a spin.
TL Audio have gained an enviable reputation for high-quality processors. Hugh Robjohns takes a look at the latest addition to their Classic range.
Yamaha's latest digital mixing console was by far the biggest crowd sensation at this year's APRS in London, taking many people by surprise with its low price and wealth of features. Dominic Hawken lends a listening ear to the first unit in the country.
The most affordable Pro Tools system ever promises trouble-free USB recording, high-quality audio hardware and the freedom to record wherever you want. Is it too good to be true?
The East German company Microtech Gefell only became known in the West after the fall of the Berlin Wall, but it was founded by no less a man than Georg Neumann in 1943. Hugh Robjohns tests a new mic with an impressive pedigree...
SOS Editor Paul White explains the thinking behind his own studio layout, and offers a few practical tips on cable runs and studio furniture.
This new mixer from Samson can't lay claim to much originality but does offer a good array of features for its sub-£1000 price tag. Derek Johnson checks it out.
We conclude our look at synth pioneer Don Buchla's extraordinary new 200e modular synth.