
Tascam TMD8000
Tascam have long been one of the big guns in the mid-range recording mixer market. Now they enter the digital mixer arena with a desk aimed at music and post-production work. Hugh Robjohns runs his digits all over it.
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Tascam have long been one of the big guns in the mid-range recording mixer market. Now they enter the digital mixer arena with a desk aimed at music and post-production work. Hugh Robjohns runs his digits all over it.

Many budding engineers aspire to Forcusrite equipment, but until recently, its cost has made it the exclusive province of the professional. The Green range aims to change all that, while still retaining the legendary Focusrite quality. Paul White gives it the green light.

If you liked the look of last year's Minidisc-based digital 4-track machines, but need more tracks, look no further. The Yamaha MD8 manages 8-track recording and palyback, but is still priced at just under a thousand pounds. Martin Walker suddenly finds less need to bounce.

Sony's DPSV77 is like a 'best of' compilation of all the company's dedicated single effects units, with the addition of a simplified user interface and a digital I/O. Is it a smash success or a one-hit wonder? Nick Magnus goes for gold...

A complete studio in a box, for around the cost of a decent software sequencing package.

Tascam have updated their ubiquitous DTRS format with an affordable and compatible 24-bit modular digital multitrack. Hugh Robjohns tries out the DA78HR.

Taking a compact DAT machine out and about can gain you some unique recordings, but can also present you with some unique problems.

Studiomaster's new desk joins the long list of other contenders in the crowded 8-buss mixer market. Unlike many of its competitors, however, the Classic 8 is a split console, and includes MIDI muting and a meter bridge as standard. Is this enough to encourage musicians to settle for Studiomaster? Paul White finds out.

Tech 21's founder and inventor of the SansAmp range of solid state, vacuum tube-emulating amplifiers talks to Paul White about the intricacies of reproducing tube circuits without the tubes.

Metering is a critical element of any audio recording system, and the modular nature of DK Audio's extensive range of high-quality units makes it possible to purchase a system that exactly meets your requirements. Hugh Robjohns is impressed...

It looks like a flagship reverb, yet it checks in at the price of a jet ski. Paul White cuts a dash with Yamaha's versatile new digital reverb.

With the recent announcement of Yamaha's keenly priced 01X Music Production Studio, it looks as though mLAN, the Firewire-based protocol for multi-channel digital audio and MIDI, might be about to come of age. We take an early look at the new system.

Roland offer a downsized version of their flagship VS2480, providing all of the most important facilities at a much lower price point.

Paul White plugs into the all-singing, all dancing digital box that can perform graphic, parametric and shelving EQ functions all at once — and even handle real-time room analysis and auto EQ'ing during its quieter moments...

Fancy doing some hard disk recording on your computer without using a soundcard? Martin Walker looks at an intriguing combination of mixer and USB interface that could let you do just that.

When it comes to cabling, it pays to have the right connections. Paul White makes the introductions.

There are some recording jobs that simply can't be handles in the average bedroom studio. Paul White answers questions about recording a rock or pop band on location.

Nick Magnus gets his hands on an instrument which is claimed to provide the best reproduction yet of the feel — and sound — of an acoustic piano.

A patchbay can make your studio much quicker to use, but can also be a nightmare to set up, so here's advice on which to choose and how to connect it up for the best results. Plus, tips on building and fitting racks for your gear.

Despite the increasing popularity of digital recording and MIDI + Audio sequencing, the cassette multitrack is far from being dead, and many a newcomer to recording still starts his or her recording career with some form of 4-track, cassette-based studio system. Paul White and Debbie Poyser discuss the features a potential buyer should be looking for, and round up the models currently available.