SOUND ON SOUND
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Although MIDI + Audio sequencing packages on both Mac and PC are becoming ever more powerful, 'the timing was tighter on my Atari' is still a common complaint. Paul White looks at ways of tightening it up, with additional PC information by Martin Walker.
In the final part of his series on digital editing, Paul White examines some methods of removing clicks from a recording, before looking at how to burn a production master CD.
Running out of processing power is a frequent source of frustration for those working with computer-based digital audio. Martin Walker tackles some common queries about how to avoid it.
Software Technology's VAZ Modular promises the authentic sound of analogue synthesis form. Martin Walker tests out their claim.
The latest upgrade to Wavelab, which takes the program to version 3.0, boasts only one major new feature — but it's a killer. Martin Walker is stunned by the possibilities.
![Figure 1: [top] A simple synthesizer. Figure 2: [bottom] Applying this control voltage to the oscillator frequency would result in a short burst of vibrato.](https://dt7v1i9vyp3mf.cloudfront.net/styles/teaser_large/s3/imagelibrary/s/synthsec1_2-0200-qAtfRQgceyPk0EN0dHZIftHUGToqoWju.gif "Figure 1: [top] A simple synthesizer. Figure 2: [bottom] Applying this control voltage to the oscillator frequency would result in a short burst of vibrato.")
In this month's instalment of his series on the basics of subtractive synthesis, Gordon Reid considers the magic ingredient that makes all the other elements sound interesting...
Regular SOS readers may have noticed Ken McBeth, a DIY analogue synth builder for over 10 years, guesting as the columnist in last month's Net Notes. We sent Paul Nagle to bonnie Scotland (where else?) to find out exactly what makes this constructor of kitchen‑table instruments tick...
The Virus modelled analogue synth has received a hardware upgrade to complement its ever‑evolving software feature set, and is now available in a keyboard version.
Lexicon's new mid-priced unit strikes a balance between the ease of use of their budget gear and the flexibility and sonic class of their high-end products. Paul White gets an exclusive first look...
This unique hybrid eight-bus mixing desk brings a welcome alternative to the established options.
Hugh Robjohns tries out a new stereo valve compressor hand-built in Britain, which shines both in the studio and the mastering room.
In Part 1 of a special two-part feature, Gordon Reid tells the amazing story of Yamaha's ultra-rare GX1 analogue megasynth — and how it ended up in his living room!
If you want to get started with audio recording on your computer, but don't fancy opening up your PC to install an internal soundcard, the new USB Audio Canvas from Roland subsidiary Edirol may provide a welcome alternative. John Walden takes the UA100 for a test Drive.
Martin Walker tries out a good-value, British-built studio power amp.
TC Electronic have an enviable reputation for their high-quality digital effects processors, and have now launched the first of a new line of budget-conscious units. Hugh Robjohns checks out the M One.
The technical standards of any professional, semi-pro, or hobbyist recording studio rely on accurate calibration. Hugh Robjohns tries out Terrasonde's funky DSP-based handheld audio test and measurement set.
Formats: VST, MAS, RTAS, Premiere, and TDM
Reviewed: TDM version
De‑essers are an...