SOUND ON SOUND
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Loudspeakers are traditionally designed for either monitor or hi-fi applications, but is there actually any difference? And just how suitable are hi-fi speakers for nearfield monitoring in the project studio? In Part 1 this month, we examine measured responses.
Not all PC problems are down to software, and a huge range of difficulties - from occasional glitches to complete system failure - can actually be caused by hardware faults. Here's how to diagnose and cure some of the most common.
Is there any benefit in optional digital converters? How can I get my MOTU FastLane to work with OMS and Cubase? Will I have problems running dual monitors on the latest Macs? Why do my final mixes always end up in mono? Is there a way to bounce mixes in Ableton Live? Can you recommend a cheap and simple PC software sampler?
Queen's seminal 1975 album and the worldwide hit from it, 'Bohemian Rhapsody', might almost have been tailor-made for surround sound. Now guitarist Brian May and engineer/surround specialist Elliot Scheiner have remixed this masterpiece for what promises to be a genre-defining DVD-Audio release.
Another 'through the keyhole' glimpse into a reader's studio reveals how it's possible to turn your hobby into a job, with a TV commission to help you on your way.
Just when we thought large-diaphragm capacitor mics couldn't get any more affordable, along come these fiercely competitive models, with a shockmount and aluminium case thrown in just for good measure!
Prior to taking over the sampling world, Akai launched a hybrid analogue/digital synth with a unique interface.
Roger Linn's name may be forever associated with the birth of the first serious, sample-based drum machine in 1979, but now, after years away from instrument design, he's back with a new guitar-oriented product offering rhythmic filter effects.
Roland's latest module provides the most affordable way yet to access the company's fine XV soundset, albeit with reduced polyphony and a less intuitive user interface compared to the more expensive XV5080. We weigh up the pros and cons.
We check out Sennheiser's flagship open-backed headphones, compensated to make them sound more like speakers.
The Chairman of the UK Music Producers' Guild argues that producers should be paid performance royalties for their studio contributions, even if they don't actually play.
Having analysed the complex process by which a cymbal makes its sound, it's time to synthesize our own...
Heavyweight TC effects processing but with a menu-free, easy-to-use, hands-on interface.
The enhanced V‑Amp 2 has more sounds and more features... for less money!
The Wavestation can prove extremely frustrating to use, but can produce sounds that are almost impossible to recreate on any other instrument. So here's some hands-on advice for getting the best from Korg's Wavestation series of synthesizers.
Yamaha' s cutting-edge reverberation processor uses convolution techniques to sample the ambience of real acoustic environments, allowing extremely accurate simulations.
Akai's new 24-track recording and mixing workstation continues the expansion of their DPS multitracker concept with technology derived from the company's renowned post-production machines.
The latest technological advances in reverb design have yielded expensive hardware units that can 'sample' the sound of real rooms. Now Audio Ease's Altiverb brings the same convolving technology to the Mac — at a fraction of the cost.
Antares have packed their acclaimed Auto-Tune and mic modelling processes, along with dynamics and EQ, into this 1U rack unit.
AT's new models prove that back-electret designs can offer performance to rival conventional capacitor mics.