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The flagship of Behringer's newest line of mixers is a four-buss design with 26 inputs, four aux sends and an internal effects processor.
Nothing beats the feel of a superb live performance captured on tape... but exactly how do you go about it? SOS's Demo Doctor and live recording veteran John Harris considers what you need to get that classic gig onto multitrack tape.
Like many of Sony Oxford's plug-ins, their new limiter takes a familiar concept and applies a novel twist.
Your camera's on-board mic might be OK for home movies, but using a separate mic and audio recorder will yield much better results.
The Ultranova may be a return to Novation's roots, but it's still a very forward-looking synthesizer...
Aardvark's newest soundcard and breakout box are claimed to provide all the recording facilities PC owners could ever need, with excellent sound quality and at an affordable price. But how does the Q10 fare on the SOS test bench?
Can you hear the difference between an MP3 and a WAV file? We explain how lossy audio data compression works, and how to spot the tell-tale signs it leaves behind.
This month we play the role of studio design consultants... and leave the heavy work to the studio owners!
You might be surprised by just how much you get for your money with Alesis’s DM10 Studio kit...
You may know Naim as a UK-based hi-fi manufacturer, but they also own a record label, and apply the same esoteric standards to the records they release as they do to their audio equipment. Phil Ward investigates the label's obsession with sound and explains their recording and mastering techniques.
Until now, if you wanted multi-channel or high-resolution audio I/O in a hot-swappable external interface, Firewire was the only way to go. Edirol's UA1000 offers an alternative, using the Hi-Speed USB 2.0 protocol that is standard on nearly all new PCs.
The latest addition to Metric Halo's Mobile I/O range is, like the existing MIO 2882, now available with a powerful DSP option for running audio processing plug-ins.
Extremely flexible busing and assignable effects controls are just two of the extra features brought to Sonar by the 3.0 upgrade and explored here.
Undisputed kings of the three-chord thrash and arguably responsible for punk rock, it took over 10 years and the theme song to a Stephen King film to secure serious US chart success for the Ramones...
Is there still a place for the workstation in the computer dominated studio of 2008? Korg certainly think so, and they're making a compelling case with their brand-new, touchscreen-equipped M50, offering much of the power of the acclaimed M3 for around half the price. Our world exclusive review digs deeper...
Users of computer-based recording systems often feel restricted by the limited degree of physical control available when it comes to mixing, especially when compared to a traditional setup centred around a hardware mixer. Mike Collins tries out a new system from Mackie which aims to improve matters.
After three decades powering the rhythm section of the Rolling Stones, Bill Wyman has gone back to the music he grew up with, with help from the impressive array of talent that is his Rhythm Kings. Sam Inglis hears how their new album Double Bill was made.