SOUND ON SOUND
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Nicholas Rowland argues that there's still something we can learn from the Beatles apart from the fact that drummers shouldn't have solo careers.
No-one enjoys making backups, but they are a necessary part of digital audio recording. Martin Walker explores the options, and explains their strengths and weaknesses.
This month, Simon Trask looks at the current state of online music delivery. Can musicians really bypass the record companies and go DIY on the Internet?
Martin Russ finds that pitfalls await innocent readers wanting to print out their scores, and also extols the virtues of an alternative to the ubiquitous mouse.
Derek Johnson laments the imminent demise of a major Atari software resource, but sees new products on the way from other quarters.
Running two or three soundcards simultaneously can greatly increase the power and flexibility of your PC but it can also lead to serious conflicts. Martin Walker leads you through the pitfalls.
Paul White and Paul Joyner explain how to import samples directly to your Mac from an audio CD with Logic Audio — a technique which can be adapted for use with most popular MIDI + Audio sequencers.
Now that so many musicians are completing the entire album-making process in their own studios, mastering is becoming an increasingly important skill. Paul White offers a few pointers to becoming a Master of mastering.
For years Metro was a fully-featured Mac MIDI-only sequencer without a permanent home, available from various manufacturers. Now, the package has been adopted by PC sequencer company Cakewalk to help them attract Mac-based custom — and they have added various new features including audio support. Mike Collins goes underground...
Digitech's Quad 4, like its predecessor, can treat up to four signals independently, parcelling out its processing power according to your requirements. Could this be the only multi-effects unit you need? Hugh Robjohns finds out...
With an excellent audio specification and lots of inputs and outputs, Event's Layla looks an ideal candidate for many small computer-based recording studios. Martin Walker gets plugged in.
Analogue Systems have expanded their RS Integrator modular range to include an analogue step sequencer and several new modules — as well as a new, complete high-end system.
Designed as a replacement for high-end tape-based multitracks, Otari's original RADAR 24-track random access recorder/editor captured a sizeable chunk of the pro market. We take a look at its successor, RADAR II, which offers a host of enhancements including 24-bit audio.
Legendary rockers Deep Purple are back with a new, self-produced album. Sharon Stancavage talks to bassist Roger Glover and engineer Darren Schneider about how it was recorded.
The East German company Microtech Gefell only became known in the West after the fall of the Berlin Wall, but it was founded by no less a man than Georg Neumann in 1943. Hugh Robjohns tests a new mic with an impressive pedigree...
Samples, re-sampling, looping, cutting and pasting — is it all getting too easy? Is the phrase 'dance music' becoming an oxymoron?
With several successful dance-oriented synth successes to their name, Quasimidi attempt to buck the trend with their latest offering. The Polymorph does offer plenty to interest the dance fraternity — real-time modulation knobs, and an analogue-style sequencer and user interface — but behind the façade lurks a powerful synth.
Sam Inglis roots around in the dustbin of history and fishes out one of the few Roland analogue instruments you can still afford without a second mortgage. Does it deserve to be rehabilitated?
Akai samplers, in their familiar off‑white rackmount cases, have become fixtures in studios all over the world. Their latest models may use the same colour scheme, but they offer an entirely new user interface and a host of powerful new features.
