SOUND ON SOUND
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Despite having a name that most British people associate with small, round chocolate biscuits, Viscount are gaining a reputation for affordable MIDI hardware — and the EFX10 could be their best value effects processor to date. Derek Johnson and Debbie Poyser develop a taste for it.
Using MD Data disks to deliver superb quality digital sound in a familiar package, does Yamaha's digital 4-track finally sound the death knell for the humble cassette multitracker? Paul Ward spins the wheel of fortune...
Martin Russ sidles up to an innocent-looking phone-box, receives his instructions, and sets to work decoding Yamaha's affordable new Virtual Acoustic synth. This preview will self-destruct in five seconds...
Jazz saxophonist Courtney Pine is breaking down the barriers between acoustic and electronic sound generation, marrying jazz with modern forms such as hip hop in a cross-genre partnership which is partly forged in his own home studio. Paul White hears some Modern day jazz stories.
One of the unwitting founding fathers of so-called 'new age' music, Kitaro has journeyed down many musical roads in his 20-year career. Paul Tingen reports.
Essex dance outfit The Prodigy have long outgrown their rave beginnings, and their recent number one single 'Firestarter' points the way to a newer even harder sound. Paul Nagle tackles some burning topics of modern music-making with the group's aural architect Liam Howlett...
The School Of Audio Engineering celebrates its 20th anniversary this year. Debbie Poyser and Derek Johnson talk to SAE founder Tom Misner and European General Manager Rudi Grieme about the school's development into a worldwide concern, the courses SAE offer today, and the changing business of teaching music engineering and production.
This month's Sounding Off lives dangerously, re-opening the dreaded 'Mac vs PC' debate. With tongue planted firmly in cheek Stephen Bennett prepares himself for next month's onslaught of hate mail from PC evangelists...
Ofir Gal reflects on the history of the Falcon with mixed feelings, and revisits the current C-lab MkX.
The ability to make your own audio or data CDs with your PC can be enormously useful and is becoming cheaper all the time. But what exactly do you need to buy? Brian Heywood finds out.
Have you ever wished you could create strange, ethereal textures like the ones you hear on the best sample CDs? Paul White shows that it's not as difficult as it might seem.
Paul White reveals how to create rhythmic gate effects, both using conventional hardware and MIDI Controller information.
Martin Russ brings you the latest news direct from an Apple R&D gathering, and takes a set of Allen keys to some expensive digital audio hardware.
Paul White reveals a few of the less well-trodden paths hidden within your mixer's routing system.
ART have followed up their single-channel Tube MP valve mic preamp by developing two more tube designs for both the project studio owner and the audio professional. Paul White huddles round to warm his signals...
Building on their US reputation, Audix mics are now available in the UK. Paul White takes a listen.
Effects units continue to drop in price while offering more and more features. Digitech's new Studio Twin costs less than £250, but still offers a dual effects mode and MIDI patch control. Paul White is agog.
Axe devotees may be surprised to learn that Marshall released this little-known digital effects processor last year. Paul White gets in his annual half-hour's guitar practise, and finds an overlooked unit worthy of some consideration...