SOUND ON SOUND
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The recent Goodman PDL computer shows proved that music is alive and well in the Atari world. Derek Johnson features a show report, rounds up a bargain shareware collection and generally keeps you up to date with all things in Atari.
Shakespeare had his Dark Lady for creative inspiration, Dante had his Beatrice, Petrarch had his Laura — and you? You've got your PC! Janet Harniman-Cook compares three different interactive composition packages which aim to provide that elusive spark...
To start off this short series on multi-effects programming, Paul White explores the key building blocks found in today's versatile units.
Greg D'Alessio of Opcode Systems offers some hints, tips, and advice for Mac users running Vision, Studio Vision Pro, and Overture software.
Somewhere in the North-East of England, electronic musician and designer Ron Berry has been applying an old-style analogue modular synth to the creation of a very contemporary phenomenon — physical modelling synthesis. Jonathan Miller finds out how it's done.
Martin Russ goes all virtual this month — with a freeware software synthesizer, plus more on registering shareware.
Fully automated mixing could make your life a whole lot easier, but if you can't get your hands on a suitcase full of banknotes, Craig Anderton has some ideas for achieving similar results at a minimum cost.
Computers have a habit of attracting more than their fair share of unwanted files. Martin Walker shows you how to clear away the cobwebs, and streamline your PC at the same time.
Big George Webley recounts some personal experiences of the jingle music business and drops a few hints about how you might get in on the action...
Pro quality at an affordable price? Hugh Robjohns inspects a preamp with a prestigious name.
Paul White tests one of the few-low cost tube enhancers on the market, from a new name in excitement.
How much more can Creative cram onto a single PC Soundcard? Paul White finds out.
With impressive improvements in power, speed and flexibility, Digidesign's software upgrade for their flagship digital audio production system keeps them ahead of the pack. Paul D. Lehrman wonders where the catch is...
Digital audio recording on computers has been possible for several years now, but without expensive multi-channel I/O units, the inputs and outputs from computer-based systems have been limited to simple stereo jacks. Now, several inexpensive multi-output PCI I/O cards are coming onto the market. Paul White looks at Emagic's solution, and decides he knows what he likes...
Given the size of the Spanish-speaking world, it makes good commercial sense to produce a Latin-style sound module — but only if it's sufficiently authentic to sell to those in the know and sufficiently versatile to be attractive to other musicians simply looking for a bit of spice in their rack. Chris Carter and Joe Ortiz play with fire...
Focusrite's new Green processors are enough to make anyone envious, as Paul White discovered when he had to give them back!
Integrating old synths into a modern MIDI-based system can be a pain. Paul Ward finds out if Kenton's Pro 2000 interface can kiss it better...
Is it a hi-tech bathroom scale? Is it a 21st-century computer game? Is it Darth Vader's toilet seat? No, it's an innovative LED-laden MIDI step sequencer, with the power to wring new life from your old synths. Paul Nagle pulses and flashes with excitement.
When it comes to cloning people, or even sheep, there's always an outcry, but where do you stand on the issue of plug-in card that effectively turns your Lexicon PCM90 into two Lexicon PCM90s? Paul White feels that first in the queue would be the appropriate location!
Paul White revs up his valves and zooms off to see the big Squeeze.