
Bias Peak v1.6
It may say v1.6 on the box, but the latest version of BIAS's Mac-based audio editor is stuffed with enough new features to warrant a version 2.0 tag. Paul D. Lehrman scales new heights.
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It may say v1.6 on the box, but the latest version of BIAS's Mac-based audio editor is stuffed with enough new features to warrant a version 2.0 tag. Paul D. Lehrman scales new heights.

Paul White looks at how real reverberant spaces affect the perception of sounds within them, and shows you how your digital reverberation unit can simulate this process.

These days, few hi-tech musicians would consider their studio complete without some kind of sampler. Paul White goes through the basics of these invaluable studio tools, for the benefit of anyone who has yet to sample one...

Derek Johnson & Debbie Poyser check out a product which offers up to four minutes of sample time, 22 different effects, audio processing and resampling facilities — for £199. If you'd been reading this only a few years ago , you'd have assumed that some digits had been missed off the price...

Spirit's 328 is a digital mixer designed to retain the intuitive feel of an analogue desk. Paul White takes the controls, while Hugh Robjohns explores the 328's comprehensive digital interfacing.

Legendary US record producer Bob Clearmountain undoubtedly has his name on more hit records than anyone else in the history of popular music. Dave Lockwood asks the man who invented the role of 'specialist hit mixer' to reveal the secrets of his success.

To start off this short series on multi-effects programming, Paul White explores the key building blocks found in today's versatile units.

Digital audio recording on computers has been possible for several years now, but without expensive multi-channel I/O units, the inputs and outputs from computer-based systems have been limited to simple stereo jacks. Now, several inexpensive multi-output PCI I/O cards are coming onto the market. Paul White looks at Emagic's solution, and decides he knows what he likes...

A major upgrade of this PC program makes it appeal to amateurs and professionals alike — but also provides some exciting pointers to the future of desktop audio. Dennis Miller takes a quantum leap in the dark...

Using a separate sampler, sequencer, synth and drum machine? With the new Ensoniq ASRX you could take just one box into the studio. Chris Carter just samples and goes...

Paul Farrer's name has been a fixture in SOS for several years, but these days he's best-known as the theme tune composer for top BBC TV quiz show The Weakest Link. Paul White asks the questions...

The latest in Roland's line of MC-series workstations is their best (and most expensive) yet, incorporating synthesis, sequencing, real-time control, and sampling. But in an increasingly software-driven world, can a Groovebox still cut it?

Clavia's new third-generation Nord Lead synthesizer augments its familiar virtual analogue modelling with enhanced FM synthesis capabilities, and introduces a striking new visual twist to the usual controller-rich Nord user interface. Simon Trask trips the light fantastic with Clavia's new Lead...

Is the current craze for all things retro preventing music technology from moving forward? David Mellor assesses the value of retro equipment and sees a vision of a thoroughly modern future.

In last month's issue, Paul Farrer offered hints and tips for making your programmed MIDI instruments seem more real. This month it's the the turn of drums and percussion.

Hugh Robjohns has a close encounter with Panasonic's newly launched budget digital console, and finds it up there with the best of them.

Korg have seriously upgraded their original D16, adding a 'double O' for good measure. John Walden is both shaken and stirred...

Internationally renowned as a producer, recording engineer, and designer of audio equipment, George Massenburg is nonetheless is still in love with the art of music production. Dave Lockwood met up with him in Los Angeles.

In the 1980s and early '90s, with Yamaha's help, Korg expanded dramatically, producing some of the first affordable digital recorders and physical-modelling instruments. But it was their world-class synths, such as the M1 and Wavestation, that made them the company they are today...

If you have to decide what to delete on your PC before installing a new program, it's time to consider a bigger disk drive. In the first of this two-part series, Martin Walker explains why size isn't all you have to consider when making your choice...