
Guest Leader: Change Is Happening
Catherine Marks, Executive Director of the Music Producers Guild, explains the motivation behind this 'Change Makers' themed SOS edition.
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Catherine Marks, Executive Director of the Music Producers Guild, explains the motivation behind this 'Change Makers' themed SOS edition.

Sometimes Knobula’s Pianophonic module sounds a whole lot like a piano, sometimes it just sounds piano‑ish, and sometimes it sounds nothing like a piano.

“I have an impulsive streak,” confesses Puerto Rican‑Italian artist Becca Mancari. That impulsive streak brought Mancari to Music City around a decade ago, and it was in Nashville that they met a host of future collaborators.

Universal Audio’s Sphere microphone modelling system is well known for emulating classic mics — but that’s not all it does.

Deep in rural Pembrokeshire, South West Wales, engineer and producer Owain Fleetwood Jenkins has built a paradisal residential studio in an abandoned chapel...

After rising through the vibrant New York studio scene of the ’90s, Ann Mincieli developed a 25‑year partnership with the biggest R&B star of the 21st Century, and now has her own state‑of‑the‑art Manhattan studio.

Music production has changed a good deal since Harrison’s most famous in‑line console enjoyed its heyday — so they decided to bring it up to date.

Film composer and producer Ludwig Göransson has earned a stellar reputation for sonic world‑building.


We profile Dutch designer Matthijs Munnik of Cosmotronic.

Dave Smith’s last synthesizer is a worthy farewell from a man who gave the synth world so much.

It takes talent, attitude and self‑belief to succeed in the music business, and Linda Perry has plenty of all three...

With the UNO Synth Pro X, IK have upped their synth game and targeted ‘serious’ synthesists.

Can the Synclavier Regen live up to the near legendary status of its ancestors?

Understanding the science behind musical taste and listening preferences can help you make more effective production decisions.

Sofia is an oscillator that synthesizes vocal‑like formants without filtering, achieved by superimposing decaying sinusoidal tones onto each individual cycle of a fundamental base waveform.

Make Noise need almost no introduction. Among the prime movers in the Eurorack explosion, former Moog employee Tony Rolando...

When our job involves a lot of sitting down, it’s up to us to inject some movement into our lives.

Many of us dream of setting up a recording studio. But where do you start — and what’s it really like to run one as a commercial business today?