
Roland XV & JV Power User Tips: Part 2
We untangle the intricacies of the XV file system, as well as track down some useful software utilities and web sites for Roland synth users.
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We untangle the intricacies of the XV file system, as well as track down some useful software utilities and web sites for Roland synth users.

Derek Johnson collects £200 as he passes 'Go' on his tour of one of Korg's more obscure vintage boards.

The trouble with sequels is that they're not usually as good as the originals. Is the follow-up to Digitech's powerful TSR24 the exception to the rule? Derek Johnson and Debbie Poyser find out.

For the synth afictionado, the ARP Odyssey is up there with the Minimoog in terms of its power and sonic quality. Gordon Reid explains why he loves his Ody...

In this final part of our series looking at the alternative systems available for recording and mixing, Paul White outlines his own system and the reasons for building it that way.

Kurzweil have always enjoyed a reputation for manufacturing high-quality workstations — their latest, the K2600, is reviewed this month. But back in the late '80s, this reputation was founded only on their impossibly expensive K250. David Etheridge explains how the 1000-series put them on the map...

A co-founder of US electro-pioneers Information Society, Paul Robb recently scored the new movie form the creators of South Park. He has a new band signed to Virgin and a dance side-project, yet still manages to write award-winning music for TV. Sam Molineaux joins him and his various alter egos in his new Los Angeles studio, Digitalis.

Digital delay tends to be taken very much for granted, but the majority of today's studio effects would be impossible without it. Paul White describes how to set up your own DDL effects from scratch.

Under hypnosis, Paul Wiffen regresses to an earlier life when he was involved in the development and marketing of what is now regarded as a British classic.

Korg's Trinity workstation has, like their earlier instruments, become virtually an industry standard — but far from resting on their laurels, the company have upped the ante still further with the new Triton. Derek Johnson and Debbie Poyser provide an exclusive hands-on review.

Regular maintenance can not only ensure that your analogue recorder gives years of reliable service, but can also immeasurably improve the quality of the recordings you make with it. Hugh Robjohns retires to the test department and meets the challenge head-on...

Paul White talks to Graham Blyth, Spirit's founder and design guru, about the company's product philosophy and its newest line, the Spirit Powerstation powered mixer.

Martin Russ fights the corner for the Apple Mac, surveys the current Macintosh product range, and generally tries to persuade you to buy one!


As SOS enters its second century, we look back over the past 100 great issues and chart the changing face of hi-tech music.

Musicians, arrangers and producers Jean-Phillipe Rykiel and François Breant are well known in their native France as pioneers of Western and African crossover music, and for their willingness to use technology to produce new and challenging forms of music. Paul Tingen paid them each a visit at their Parisian studios to discuss their working methods.

The plug-in compatibility of most audio software means that you can add new effects and processing capabilities — but not all programs support the same types of plug-in, and some require additional hardware. In the first part of a comprehensive roundup, Paul White and Martin Walker look at the different plug-in formats available.

Since Microsoft released Windows 98 at the beginning of June, some PC musicians have held back to see how stable it is, while others have taken their chances. Martin Walker crosses his fingers and jumps the latest hurdles form Bill Gates.

We've got so used to DI'ing keyboards that miking up an amp is something that never occurs to some people. Paul White explores the benefits of getting out the mics and plugging in the amp.

Though still a small name in the crowded UK mixer market, Phonic are gaining a reputation for building affordable desks with lots of features. Shirley Gray test-drives their latest console, a four-buss model with studio and live applications.