SOUND ON SOUND
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Novation's new A-Station seeks to combine the compact styling of their BassStation Rack synths with some of the spec of the prestigious Supernova and Nova - and all for £399! Is it an inspired bit of cross-breeding, or a misbegotten mongrel?
There's more to vocoders than 'Mister Blue Sky' — and with the vocoders available on some current multi-effects processors, creative vocoding is now available to almost anyone.
Studio Traps allow you to alter the acoustics of any room in minutes, so you can quickly deal with troublesome rooms or acoustically separate live mics from one another.
With the advance of new technology, PC audio editors have finally reached the point where they can give Macintosh systems a run for their money. Janet Harniman-Cook investigates the possibilities.
A job helping to provide the sounds and recording the music for an animated Christmas special has SOS contributor Paul Ward hastily upgrading his studio and exploring the deepest recesses of his synth collection, in search of sleigh bells and singing reindeer patches...
Few audio companies have the reputation of Solid State Logic, but their premium equipment has remained beyond the reach of all but the wealthiest project studio owners — until now! SSL's new all-in-one recording channel boasts preamplification, EQ and dynamics from the awesome XL9000K mixing console, but at a price to which mere mortals can realistically aspire.
Although FM synthesis has its roots in the sixties, the instruments that popularised it were to dominate the synth scene of the eighties. Gordon Reid uncovers the origins of FM and charts its rise to fame from its unlikely beginings in academic research in the USA.
As Parts 4 & 5 of Gordon Reid's series showed, even the simplest analogue filters mess with your sound in complicated ways. In this Part, he considers what happens when you make the design more sophisticated...
It's a well worn record company adage that the music known as New Age doesn't sell, yet the little-known artist Clifford White has enjoyed such enormous success with this kind of music that he has set up his own booming record company. Paul White (no relation) finds out how.
It would take a lot to convince your average engineer, producer or programmer to abandon their trusty hardware sampler, but Creamware may finaly tip the balance with their new PCI sampling card. Martin Walker never says 'never' again...
In the penultimate part of his series on synthesizer technology, Paul Wiffen turns his attention to the problem of emulating acoustic instruments in which the sound is produced by a string or reed, and amplified and modified by the body of the instrument.
Boss of the highly successful and determindly independent Mute Records, Daniel Miller is one of the UK music industry's unsung stars. Bill Bruce celebrates 20 years of Mute with the man himself, looking back on such highlights as his work with Depeche Mode — and takes a rare tour of Miller's superb home studio.
Take a powerful PC. Add a clever bit of programming, a soundcard and some samples, and you have the reality software synthesizer. Not a revolutionary concept, but wait until you hear the sounds! Martin Walker picks himself up off the floor.
In the first of a 2-Part series, Paul Farrer offers some hints and tips for improving the sounds you can coax from Emu's popular Proteus range.
The oft-neglected other half of New Order bounce back into the limelight with a joint album of particular charm. Nigel Humberstone tracks down Gillian Gilbert and Stephen Morris to talk about their working methods, their home studio, and their contribution to the growing EC gear mountain.
Despite topping over one million world-wide album sales with an established record label, America's First Lady of New Age music, Suzanne Ciani, has opted for an alternative independent route. Jonathan Miller asks why...
Legendary US record producer Bob Clearmountain undoubtedly has his name on more hit records than anyone else in the history of popular music. Dave Lockwood asks the man who invented the role of 'specialist hit mixer' to reveal the secrets of his success.
Novation's latest synth is a more affordable 'laptop' version of their powerful Supernova, which capitalises on its user-friendly front panel while adding the ability to process external audio signals. Simon Trask discovers new life in the synth universe...
Paul White unpacks a crate of Lite and discovers a processor that could brighten up your rack as well as your sound.
Do you ever wonder who's responsible for the waveforms and sound patches in your favourite synth? If it's a Korg keyboard, then the answer might be Steve McNally, one of the team of sound developers.