SOUND ON SOUND
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There's a lot more to 5.1 surround sound production than stereo with extra channels — new, bewildering terms and concepts abound. This month, we explain Metadata, Upmixing, Downmixing, and look at what that centre speaker actually does...
Simon Lowther introduces the clan of classic American analogue synths, the Oberheim OBs.
If you're on a budget, there's nothing to beat buying second-hand. Derek johnson and Debbie Poyser trawl the Reader Ads to highlight more of yesterday's forgotten gear that's worth a closer look.
Getting your studio organised doesn't necessarily mean investing in expensive studio furniture or being a DIY whizz. Derek Johnson & Debbie Poyser explain how they made the most of their space, and pass on some hints and tips for a tidier life.
When it's time to choose a sampler from the many on the market, it helps to know which features are most significant. Craig Anderton will tel you what you want, what you really really want...
Resynthesis promises to combine the realism of a sampler with the flexibility of a synth. A great idea, but no-one has really made it work — until now...
The Minimoog rides again thanks to Welsh company Moog Music Limited. But how close does it sound to the original? We at SOS knew opinion would be split, so we got five of our regular synth reviewers, all previous or current Mini owners, to give us their views.
Richard Buskin talks with two of Sweden's hottest writer-producers about their ongoing work as part of the Murlyn Music Group, including recent hit recordings by Jennifer Lopez, Samantha Mumba and Jessica Simpson.
Touring with Pink Floyd is not, as you might imagine, like a quick gig down the Bull and Gate. There's a tour budget of around £70 million, and the efforts of hundreds of people go into making each concert truly spectacular. In this exclusive, Mike Lethby talks backstage to some of the men who keep the Floyd on the road.
Mike Collins concludes his look at the available TDM software plug-ins, concentrating this month on those made by third-party manufacturers.
Composing for film is an ambition shared by innumerable musicians, only a tiny percentage of whom will ever land a soundtrack job. But it can be done. Nigel Humberstone recounts his own experience of scoring a low-budget independent Hollywood movie and talks to Barry Adamson, one of a new breed of soundtrack composers, about his career to date.
Derek Johnson collects £200 as he passes 'Go' on his tour of one of Korg's more obscure vintage boards.
The eagerly awaited upgrade from the VSL team breaks all records for size, depth and scope. Is it the be-all and end-all of orchestral sound libraries?
The Virus modelled analogue synth has received a hardware upgrade to complement its ever‑evolving software feature set, and is now available in a keyboard version.
Over the 40 years of their existence, Korg have produced a huge variety of groundbreaking music gear, from electronic percussion to industry-standard synths, and from guitar tuners to digital recording workstations. This month, we look back at how it all started...
Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.
For the synth afictionado, the ARP Odyssey is up there with the Minimoog in terms of its power and sonic quality. Gordon Reid explains why he loves his Ody...
The original MAQ 16/3 analogue-style step sequencer, developed with the help of Kraftwerk's Florian Schneider, was released almost five years ago, but Doepfer clearly believe in shelf-life and have continued to update this unique instrument. Chris Carter steps ahead.
Yamaha's latest digital mixing console was by far the biggest crowd sensation at this year's APRS in London, taking many people by surprise with its low price and wealth of features. Dominic Hawken lends a listening ear to the first unit in the country.
Mark Isham resides at the top of Hollywood's film-music hierarchy, equally comfortable composing for orchestra as for a rack of samplers in his home studio. He marks time as an innovative genre-hopping artist and sought-after trumpeter too. Jonathan Miller finds out how he fits it all in...