SOUND ON SOUND
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Studio Traps allow you to alter the acoustics of any room in minutes, so you can quickly deal with troublesome rooms or acoustically separate live mics from one another.
It's a well worn record company adage that the music known as New Age doesn't sell, yet the little-known artist Clifford White has enjoyed such enormous success with this kind of music that he has set up his own booming record company. Paul White (no relation) finds out how.
In the first of a 2-Part series, Paul Farrer offers some hints and tips for improving the sounds you can coax from Emu's popular Proteus range.
The latest version of Apple's Mac OS contains some excellent new features aimed at musicians and audio engineers. Is this one OS upgrade you won't mind performing on your studio computer?
Novation's new A-Station seeks to combine the compact styling of their BassStation Rack synths with some of the spec of the prestigious Supernova and Nova - and all for £399! Is it an inspired bit of cross-breeding, or a misbegotten mongrel?
Take a powerful PC. Add a clever bit of programming, a soundcard and some samples, and you have the reality software synthesizer. Not a revolutionary concept, but wait until you hear the sounds! Martin Walker picks himself up off the floor.
As Parts 4 & 5 of Gordon Reid's series showed, even the simplest analogue filters mess with your sound in complicated ways. In this Part, he considers what happens when you make the design more sophisticated...
In the penultimate part of his series on synthesizer technology, Paul Wiffen turns his attention to the problem of emulating acoustic instruments in which the sound is produced by a string or reed, and amplified and modified by the body of the instrument.
We've discussed how to set up your label and integrate it with the UK music business. But how you run it from day to day, and who you employ to help, is up to you. We look at how two own-label bosses manage...
Boss of the highly successful and determindly independent Mute Records, Daniel Miller is one of the UK music industry's unsung stars. Bill Bruce celebrates 20 years of Mute with the man himself, looking back on such highlights as his work with Depeche Mode — and takes a rare tour of Miller's superb home studio.
Retailing at a paltry nine GBP per Gigabyte, this huge orchestral brass library from the USA appears to offer a big-screen experience at a Blockbusters price. Is there a catch?
Paul White unpacks a crate of Lite and discovers a processor that could brighten up your rack as well as your sound.
Despite topping over one million world-wide album sales with an established record label, America's First Lady of New Age music, Suzanne Ciani, has opted for an alternative independent route. Jonathan Miller asks why...
It would take a lot to convince your average engineer, producer or programmer to abandon their trusty hardware sampler, but Creamware may finaly tip the balance with their new PCI sampling card. Martin Walker never says 'never' again...
Although FM synthesis has its roots in the sixties, the instruments that popularised it were to dominate the synth scene of the eighties. Gordon Reid uncovers the origins of FM and charts its rise to fame from its unlikely beginings in academic research in the USA.
Legendary US record producer Bob Clearmountain undoubtedly has his name on more hit records than anyone else in the history of popular music. Dave Lockwood asks the man who invented the role of 'specialist hit mixer' to reveal the secrets of his success.
Using SoundFonts with your AWE32 or AWE64 soundcard makes them totally open-ended — if you want a new sound for MIDI use you just sample one. Martin Walker guides you through the wonders of personalised SoundFont creation.
To start off this short series on multi-effects programming, Paul White explores the key building blocks found in today's versatile units.
Do you ever wonder who's responsible for the waveforms and sound patches in your favourite synth? If it's a Korg keyboard, then the answer might be Steve McNally, one of the team of sound developers.
Few audio companies have the reputation of Solid State Logic, but their premium equipment has remained beyond the reach of all but the wealthiest project studio owners — until now! SSL's new all-in-one recording channel boasts preamplification, EQ and dynamics from the awesome XL9000K mixing console, but at a price to which mere mortals can realistically aspire.