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Metering is a critical element of any audio recording system, and the modular nature of DK Audio's extensive range of high-quality units makes it possible to purchase a system that exactly meets your requirements. Hugh Robjohns is impressed...

dsTEC's eye-catching new analogue mono is bad — but in a good way. Chris Carter reaps the wages of Syn.

Norman Fay takes a relro look at the Rhodes Chroma, the last and most obscure of ARP's long line of analogue synthesizers.

The pioneering Sonic 6 has a complex and intriguing background, featuring not only the synth industry's most famous name, Bob Moog, but also that of an unsung hero called Gene Zumcheck - a shadowy figure now, but one whose contribution to synthesis deserves acknowledgement.

Paul White gets inside Focusrite's new compressor to find out what really makes it tick.

Last month, we revealed just how hideously complex the sound-producing mechanism of the snare drum can be. Nevertheless, synthesizing the sound is not as hard as it seems, as we find out with the aid of a Roland SH101...

There's more to vocoders than 'Mister Blue Sky' — and with the vocoders available on some current multi-effects processors, creative vocoding is now available to almost anyone.

With the advance of new technology, PC audio editors have finally reached the point where they can give Macintosh systems a run for their money. Janet Harniman-Cook investigates the possibilities.

A job helping to provide the sounds and recording the music for an animated Christmas special has SOS contributor Paul Ward hastily upgrading his studio and exploring the deepest recesses of his synth collection, in search of sleigh bells and singing reindeer patches...


The oft-neglected other half of New Order bounce back into the limelight with a joint album of particular charm. Nigel Humberstone tracks down Gillian Gilbert and Stephen Morris to talk about their working methods, their home studio, and their contribution to the growing EC gear mountain.

Studio Traps allow you to alter the acoustics of any room in minutes, so you can quickly deal with troublesome rooms or acoustically separate live mics from one another.

It's a well worn record company adage that the music known as New Age doesn't sell, yet the little-known artist Clifford White has enjoyed such enormous success with this kind of music that he has set up his own booming record company. Paul White (no relation) finds out how.

In the first of a 2-Part series, Paul Farrer offers some hints and tips for improving the sounds you can coax from Emu's popular Proteus range.

The latest version of Apple's Mac OS contains some excellent new features aimed at musicians and audio engineers. Is this one OS upgrade you won't mind performing on your studio computer?

Novation's new A-Station seeks to combine the compact styling of their BassStation Rack synths with some of the spec of the prestigious Supernova and Nova - and all for £399! Is it an inspired bit of cross-breeding, or a misbegotten mongrel?

Take a powerful PC. Add a clever bit of programming, a soundcard and some samples, and you have the reality software synthesizer. Not a revolutionary concept, but wait until you hear the sounds! Martin Walker picks himself up off the floor.

As Parts 4 & 5 of Gordon Reid's series showed, even the simplest analogue filters mess with your sound in complicated ways. In this Part, he considers what happens when you make the design more sophisticated...

In the penultimate part of his series on synthesizer technology, Paul Wiffen turns his attention to the problem of emulating acoustic instruments in which the sound is produced by a string or reed, and amplified and modified by the body of the instrument.