SOUND ON SOUND
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The Windows multimedia revolution grinds on... This month Brian Heywood looks at a couple of products that may help you find a multimedia heaven with the PC. Logitech Soundman Wave & Lyrrus G-Vox.
FireWire audio and MIDI interfaces are gaining in popularity, as are fader surfaces designed for hands-on control of computer recording packages. Now Digidesign have combined the two.
Paul White tests what must be the ultimate small monitor, but finds that you pay for it in pounds — both fiscal and gravitational.
Paul White answers some of the most common questions we receive about soundproofing and acoustic treatment for the home studio.
Producer and engineer John Leckie is renowned for his work with English pop legends such as John Lennon, The Stone Roses and Radiohead. Recently, however, he left behind the comforts of Abbey Road to record one of Africa's best-known singers on location in Senegal.
Much hard graft has been put in by electronic instrument manufacturers over the years in an attempt to transfuse the essence of the tonewheel organ into a MIDI-compatible keyboard. Nick Magnus dissects Roland's latest virtual modelling approach, and pronounces the operation a complete success.
Big George Webley recounts some personal experiences of the jingle music business and drops a few hints about how you might get in on the action...
Jane Siberry's unique-sounding music has attracted collaboration from musicians such as Brian Eno and fellow Canadian Michael Brook. But she's still in control, as Mark J. Prendergast discovers...
Brian Heywood delivers another concoction of music-related PC news.
Morcheeba make their weird and wonderful music in a studio in Clapham that used to belong to The Orb. To find out more about the band and their gear, Sue Sillitoe ventured south of the river to meet Paul Godfrey and the band's programmer and producer Pete Norris.
Recent years have seen a revival in back-to-basics recording techniques, but few engineers or producers have taken things as far as Jim Sutherland did with Edinburgh folk-pop band Aberfeldy...
After releasing their Remote 25 MIDI controller keyboard, Novation released the Remote Audio 25, rapidly following it with the Remote Audio 25 Xtreme. Now, the X-Station has replaced both of these. Can we disentangle it from its convoluted beginnings?
Having looked at the various types of effects available, Paul White explains the importance of the order in which these effects are applied.
Having completed his study of analogue synthesis last month, Paul Wiffen takes a look at FM and its related digital synthesis types, which rocked the synth world throughout the 1980s.
Hammond's 'New B3' was the best-ever digital emulation of an electro-mechanical organ, but at over £15,000 it didn't come cheap. Fortunately, the XK3 puts the New B3's sound engine into a much more affordable package...
Brian Heywood delivers another concoction of music-related PC news including Fatar's CMS61.
Yamaha's former sampling flagship, the A3000, represented a novel but very powerful approach to sampler design. The new A4000 and A5000, as Derek Johnson & Debbie Poyser report, maintain the distinctive design ethos, but should provide even stronger competition to the established names.
There's also life beyond Beyond, as WILF SMARTIES discovers from Toby Marks, one of Beyond's early artists, now graduating to independent chart success under the name Banco De Gaia.
Having learned last month how to synthesize tuned bells, we turn this time, in the last of this series on the subject of percussion, to untuned bells — in the form of the humble cowbell — and claves.