SOUND ON SOUND
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Long awaited and much anticipated, Novation's digitally-modelled analogue synth module is the company's most ambitionus offering yet.
The new SP808 has little in common with its namesake, the TR808; one was an analogue rhythm unit, the other is a feature-packed sampler, multitrack digital audio recorder, synth and remix tool. Clearly, Roland are hoping that some of the 'hi-tech classic' status of the TR will pass to the new SP.
Renowned producer and remixer Pascal Gabriel is back with a stylish new recording project, Peach. With a hit in the states behind them and the inclusion of a Peach track in the film Sliding Doors, widespread recognition can't be far away. Bill Bruce meets Pascal and production partner Paul Stretham at their Strongroom studio to talk technology, and finds them going back to their fruits...
In pop music, production partnerships are pretty rare — especially ones as successful and long-standing as that between Clive Langer and Alan Winstanley.
The untimely death of musician Duncan Browne part-way through an album project spurred keyboardist Nick Magnus on to complete the recordings. Here Nick tells the inside story of how he accomplished it.
Mark Thomas finds himself very much in demand writing and recording music for film, television and library albums. Much of the music involves orchestral instruments, and even 70-piece orchestras, but as Mark explained to Paul white, the bulk of the work can still be carried out in a home studio.
Acclaimed producer Mike Hedges has filled his studio with equipment that is almost as antique as the ancient French chateau that houses it. Paul Tingen catches up with a man who's far from manic but quite ready to preach the virtues of analogue.
Since riding to fame on the crest of the late '80s DJ sampling wave, Tim Simenon has re-cast himself in a variety of moulds, not least those of producer and record label boss. Paul Tingen caught up with him to talk about his latest album and his brilliant career...
Offering more multitimbrality than its virtual analogue rivals, plus a combination of knobs for instant gratification and an LCD for accessing more advanced features, will the Virus leave the competition feeling a little sick? Paul Nagle finds out.
Tampering with recordings made by a musical legend like Miles Davis would be seen by many as tantamount to sacrilege. But what if you believed, like producer Bill Laswell, that the music in question had never been heared as it should be? Paul Tingen gets the inside story.
Digital recording systems have been in everyday use now for nearly 20 years, and such systems have become affordable to the project studio owner within the last decade. But what actually is digital recording, how does it work, and are the claims made about its sonic perfection justified? In the first of this new 6-part series, Hugh Robjohns revisits the technology and techniques involved.
Paul Nagle concludes his look at Clavia's groundbreaking new Nord Modular.
Exciters and enhancers are often mentioned in SOS, but what exactly do they do to your sound, and how do the various types differ? Paul White explains.
If you like your music production tools hip, knob-laden and all in one box, you're probably drooling over the MC505. Derek Johnson gets into the groove.
Lexicon's PCM70 reveb has been widely acclaimed as a modern classic, a ubiquitous component of pro studios worldwide. Paul White tests out its successor, the PCM80, falls deeply in love with it, then has to give it back!
Multi-channel PC soundcards are arriving in droves, but this one is rather different, and incorporates a potential 128 tracks, using unique hardware technology. Martin Walker channels his efforts.
The latest version of this popular audio sequencer sees Emagic's answer to competitor Steinberg's VST built-in effects. But there's rather more to this significant upgrade than that, as Paul White reports.
What does the SOS team want for Christmas this year?
Cubase VST was the MIDI+ Audio sequencing sensation of last year on the Mac, offering built-in digital effects with no additional hardware required. Now, after much work, Steinberg have succeeded in porting VST to the PC — at the same price, and, once again, with no additional hardware required. Janet Harniman-Cook is suitably impressed.
Take some Cajun banjo, an Italian opera singer, and a dash of Robert Fripp. Mix these diverse elements liberally with electronic dance music, and serve as the third album from the Grid, Evolver. Nigel Humberstone talks to the hi-tech duo on the making of this album, and their forthcoming classical project.