SOUND ON SOUND
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Hugh Robjohns dons his technical head and invites you on a guided tour of what makes an analogue tape recorder tick...
Designing sounds on a computer can give you virtually all the knobs and sliders you'd want, but there's the potential to go far beyond hardware synthesis too. Dennis Miller begins a two-part tour of what's available.
Butch Vig came to fame for his work on the seminal Nirvana album Nevermind, going on to make a name for himself in post-punk indie production. Now he's hit the big time as both artist and producer, as part of internationally-successful band Garbage. Richard Buskin caught up with him to talk about roots, reincarnation, and rubbish...
The proliferation of independent record labels in the USA has increased the demand for low-budget records, and sparked the home music studio market, moving it from spare bedroom demo mill to centre stage. Our man in America, Dan Daley, reports.
After much high-profile production work in the 1980s, David Lord retreated from the stress of the pop world to concentrate on chosen projects which would exercise his considerable composing and arranging talents. Paul Tingen runs him to earth at Terra Incognita studios, for a long-overdue update.
Jazz saxophonist Courtney Pine is breaking down the barriers between acoustic and electronic sound generation, marrying jazz with modern forms such as hip hop in a cross-genre partnership which is partly forged in his own home studio. Paul White hears some Modern day jazz stories.
With a new studio album set to take their unique brand of instrumental music to the top of the charts, Ozric Tentacles are arguably the most successful truly independent band in the UK today. Jonathan Miller met leader Ed Wynne at their Somerset studio.
Newcastle-based Dubstar released one of the most successful pure pop albums of the last 12 months — and they made most of it using gear that wouldn't be out of place in many SOS readers' studios. Matt Bell gets sidereal with the band's programmer and main songwriter, Steve Hillier.
Gary Numan's music epitomises the electro-pop era and undoubtedly helped boost synth sales in the early '80s. with the chart re-entry of his classic hit single 'Cars' Numan is approaching his third decade in pop. Jonathan Miller receives a lesson in the art of survival...
A major upgrade of this PC program makes it appeal to amateurs and professionals alike — but also provides some exciting pointers to the future of desktop audio. Dennis Miller takes a quantum leap in the dark...
CD-R may be the fastest growing mastering format, but its complicated zip codes and impenetrable protocols have made it anything but user friendly. As prices tumble and software evolves, however, it's an increasingly accessible medium. Mike Collins explains how he's mastered mastering on his Mac...
Commercial physical modelling synths first appeared in 1994, but until now, nobody has produced one that offers truly multitimbral operation together with decent polyphonic performance. Korg's new Z1 does — and for well under £2,000. In this, the first UK review of the finished instrument, Goron Reid laughs wildly and plays lots fo chords — because he can.
Aquabats are an unconventional trio dedicated to the creation and recording of unconventional improvised music — using unconventional and often improvised instruments — which they call Earth Music. Tim Turan tells the story.
Not many bands would set up banks of modular and analogue synths in Paddington station and play free for the delight of the weary commuters. node did — but then that's the kind of guys they are. Nigel Humberstone talks to half of the band about free-form composition, inspired mistakes, and the lack of sex appeal in electronic music.
The Sabres Of Paradise are familiar to many as the experimental dance project headed by renowned DJ/Producer Andy Weatherall. However, the two other members of the Sabres also have an extensive list of production and remix credits to their credit. Nigel Humberstone talked to them at the Sabresonic Studio about their recent work.
Having recently completed two new World Music albums, one for Indian electric mandolin player U. Srinivas, the other with legendary Pakistani Qawwali singer Nusrat Fateh Ali Khan, Canadian producer/guitarist Michael Brook never wanted to confront music technology ever again! Paul Tingen explains why...
Paul White looks at the multitrack recording console and its role in your multitrack recording system.
The Stone Roses seemed fit for world domination at the end of the '80s, but after releasing a successful debut album, they disappeared for nearly six years. Matt Bell talks to the producer of their new album, Simon Dawson, about his approach to recording the all-important follow-up.
Though digital technology has transformed the nature of synths, effects, and even multitracks, project studio mixers have largely remained steadfastly analogue, breaking the chain which, if complete, would allow your music to remain in the digital domain from sequencer to master.Korg's 168RC forms the heart of a system designed to all but eliminate the analogue signal path, and Paul Wiffen wonders where it's been all his life...
Digidesign hardware now forms the backbone of most Macintosh-based hard disk recording systems, but where did the company come from, where is it going, and what changes can we expect to see after their recent merger with Avid? Paul white gets the answers directly from Peter Gotcher, President of Digidesign.