SOUND ON SOUND
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Mike Oldfield's new album was inspired by the writings of Arthur C Clarke and features an interactive CD-ROM section. Paul White asked the composer about the artistry and technology behind the project.
Two men, a girl and an electrical appliance meet under strange circumstances in the Swiss Alps. Ted Fletcher reports.
"Your mission, should you decide to accept it, is to produce the music and sound effects for a major international documentary series, largely in a home midi studio." Could it be done? In part 1 of their two-part assignment, special agents Paul D. Lehrman and Steve Olenick found out.
The latest big thing in computer-based sequencing is the integration of real-world audio and MIDI data within the same program. Mike Collins puts the four leading Macintosh contenders head to head to see how they compare across a range of facilities.
After years of rumours and myth, the fruits of the Beatles' reunion for small screen and recording projects can now be experienced by mere mortals. For the past 18 months, Mark Cunningham has been keeping his ear to the ground, and can now reveal the fascinating details surrounding the Fab Four's Second Coming'...
Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.
Sound On Sound's first decade has been graced by synths that were revolutionary, synths that were fascinating, synths that were seminal, and synths that were simply loved. Julian Colbeck takes a personal look at 10 of the best from synthesizer history.