SOUND ON SOUND
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Whats the best way to make a classic rock album? For producer Eric Valentine and guitarist Slash, there was only one answer — use classic recording techniques and vintage gear.
Just how do you make a mix sound loud without squeezing the life out of the music? Find out in our in-depth guide...
Drake’s atmospheric, brooding sound has revitalised hip-hop, selling millions in the process. The man behind that sound is Noah '40' Shebib.
Just where do you look for that final 20 percent that puts your mix on a par with commercial tracks? Find out, as we apply a little polish to Zeno's track 'Signs'.
Paul White gets inside Focusrite's new compressor to find out what really makes it tick.
This latest multitracker from Boss boasts powerful effects processing and built-in USB facilities.
If you're the proud owner of a new PC, and want to make music, there are plenty of ways to get started, and you may be surprised at just how good the results can be. Martin Walker makes sure your shopping list is short but sweet.
Do you want your bass end to sound bigger, fatter, louder and meaner? Paul White explores some of the options.
You've got the talent but you haven't got the gear. Sounds familiar? Christopher Holder visits a production team who decided to do something about it, and are reaping the rewards.
We discover that if you need to cure problems with bass instruments in your mix, you might well have to aim a bit higher...
What do you get when you take three from Nineteen? A compressor, an enhancer and an effects unit... Paul White explains.
Tascam have long been one of the big guns in the mid-range recording mixer market. Now they enter the digital mixer arena with a desk aimed at music and post-production work. Hugh Robjohns runs his digits all over it.
Paul White talks to Malcolm Toft, the man behind the legendary Trident range of recording consoles, who now has his own company, MTA, which looks set to continue the tradition of analogue excellence.
Sue Sillitoe talks to one of the most influential British record producers of the '90s, Stephen Street — the man behind a string of hit albums for the Smiths, Blur, The Cranberries, Catatonia, Sleeper, Shed Seven and many more.
Newcastle-based engineer Dave Maughan, like many SOS readers, runs a small commercial studio based in his own house — where he recorded one of the year's most acclaimed albums. Sam Inglis hears his story.
Digidesign's D-Command and D-Control represent perhaps the most ambitious attempt yet to integrate recording and mixing systems. Do these Icons symbolise the future of digital audio workstations, or are they merely expensive control surfaces for Pro Tools?
SOS visits another reader's home/project studio.
It doesn't matter how good the microphone, put it in the wrong place and you might as well be using cocoa tins and string. Hugh Robjohns shares some of his top tips...
Undisputed kings of the three-chord thrash and arguably responsible for punk rock, it took over 10 years and the theme song to a Stephen King film to secure serious US chart success for the Ramones...