SOUND ON SOUND
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The VK8 is Roland's latest addition to their long-established VK series of tonewheel organ emulations. But due to the current popularity of the tonewheel sound, there are now plenty of other Hammond imitators around. Can the new VK stand its ground?
Paul White finds out how Tascam have transferred their affordable Portastudio concept into the high-end world of 24-bit digital recording.
When your studio just won't co-operate and there's no-one to turn to, the pool of knowledge and expertise offered by fellow web users can be a life saver. Chris Carter investigates troubleshooting on the open-all-hours Internet.
Vic Lennard looks at a Tracker program with a difference — and gets a sneak preview of a GM sound module in a Falcon...
Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?
Unexpected crashes happen to all of us — even SOS PC gurus! Martin Walker tells a tale of troubleshooting, and falls for Steinberg's new Freefilter.
Regular SOS readers may have noticed Ken McBeth, a DIY analogue synth builder for over 10 years, guesting as the columnist in last month's Net Notes. We sent Paul Nagle to bonnie Scotland (where else?) to find out exactly what makes this constructor of kitchen‑table instruments tick...
He's an accomplished producer, remixer, writer, programmer, guitarist, bassist and keyboard player — is there no end to Danny Saber's abilities? Richard Buskin talks to him about his blending of pop, rock, hip-hop and trip-hop sensibilities, as well as the commercially unorthodox results that have placed him in international demand.
From his early days as a pioneer of British synth-pop, Martyn Ware has forged a career on the cutting edge of electronic music. And he is still innovating today — in 3D.
Rob Playford is not only the man who, as Goldie's producer, helped mould one of the most original drum & bass talents into a household name and chart success; he's also boss of one of the hippest drum & bass labels on the planet, and a sought-after remixer. Christopher Holder asks 'how does he do that?'.
Antares have packed their acclaimed Auto-Tune and mic modelling processes, along with dynamics and EQ, into this 1U rack unit.
What exactly is a modular synth? How slow is a slow release? How can I wire my 32:8:2 analogue desk to a 16-track recorder? How can I compensate for a lack of phase-reversal and EQ bypass controls on my mixer? Why do some bass notes have more 'punch' than others? Is there a problem with inputs on the Roland VS2480? Should I buy a DI box or a channel strip? Should EQ or compression be applied first? What is the advantage of recording with a higher resolution, as opposed to a higher sampling rate? Can I run V-Producer via OMS?
A heavy-duty valve preamp with variable input impedance, a unique slew-rate control, and a sublime sound.
Ofir Gal reports back from a show in London which proves, once again, that there's life in Atari computers yet — even if Atari themselves don't agree!
Paul White explores the far dimensions of space using this spatial enhancement plug-in.
Boss of the highly successful and determinedly independent Mute Records, Daniel Miller is one of the UK music industry's unsung stars. Bill Bruce celebrates 20 years of Mute with the man himself, looking back on such highlights as his work with Depeche Mode — and takes a rare tour of Miller's superb home studio.
Following the demise of the Windows MIDI Mapper under Windows '95, Brian Heywood considers ways of setting up alternative MIDI patch maps on your PC, and looks back on his personal favourite products of 1995...
Chris Brockis had been having trouble mixing in his attic home studio, so he enlisted the help of the trusty SOS team.