SOUND ON SOUND
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With help from their galaxy of high-profile collaborators, Unkle have embarked on an ambitious attempt to reinvent dance music.
In 1976, in the face of deteriorating personal relationships and massive record company pressure, Fleetwood Mac managed to create a record that would go on to sell 30 million copies.
The debut single from Liverpool's Frankie Goes To Hollywood was the result of adventurous production and enjoyed massive chart success - as well as creating a great deal of controversy.
Jim Abbiss decided to go back to basics and make records the way he wanted to make them. The result? The fastest-selling debut album in history...
Recording drums and guitars is the task in this month's studio troubleshooting visit.
Mali Music is one of the most ambitious collaborations yet between European and African musicians. The brainchild of Blur frontman Damon Albarn, it also represented the first big break for producer Simon Burwell.
David Gilmour's chart-topping solo album was recorded on his own Astoria houseboat, a floating slice of studio heaven. Engineer Andy Jackson describes the making of the album.
Producer and engineer Elliot Mazer is well known for his ongoing work with Neil Young, and was there at the birth of digital recording. Like Young, however, he's never been happy with the way it sounded — until now.
The audio sequencing facilities we have at our disposal these days make it easier than ever before to produce world-class vocal recordings by taking the best parts from a series of takes and producing a composite from them. Here's how to do the job in Sonar 4.
The Foo Fighters could have gone to any studio on the planet to record their eagerly awaited album Wasting Light. They chose their frontman Dave Grohl’s garage...
For his second solo album, Steely Dan's Walter Becker made the unexpected decision to apply his band's high production values and jazzy sophistication to the world of reggae...
Tightening timing, sustaining snares and silencing sibilance are among the tasks tackled in this month's remix...
Shaun Hayward & Joe Kenny of Chunc Productions reveal their gear setup and musical motivations.
Over the last 10 years, Sibelius Software have built a reputation for providing what most musicians consider to be the leading scorewriting software. Now, in version 3, they have teamed up with Native Instruments to provide enhanced playback facilities — but does this upgrade live up to the high standards set by previous releases?
Rob Jackson's latest project is a band called The Low Country, with a sparse, American sound that calls to mind the likes of Lucinda Williams and Low.
Blur's latest album has taken the band 18 months to make, commuting between London, Devon and Morocco. Somehow, producer Ben Hillier also found the time to produce new records by Elbow and Tom McRae...
More constructive comments from MPG (Music Producers Guild) members on SOS readers' submitted recordings.
For their fifth album, The END, Black Eyed Peas main man will.i.am took the band — and their long-serving mixer Dylan Dresdow — in a new direction, with stunning success.
Over the last decade, Mouse On Mars have become one of the leading names in European electronic music. Their experimental approach brings together analogue and digital, lo-fi and hi-fi, real instruments and samples to create an organic-sounding whole.