SOUND ON SOUND
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Ever had trouble getting a plain DI’d bass guitar to sound right in a mix? Me too, sometimes! But it’s almost always fixable once you understand the issues.
Boss’s best‑in‑class looper just got even better.
Vince Gilligan and Peter Gould’s unique vision of Albuquerque required a unique approach to the score...
Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.
Do the automation features in DAW software make old‑school console automation redundant? We canvass opinions from big‑name mix engineers.
Barcelona‑based developers Endorphin.es have finally ironed out the folds when it comes to their contender for a system‑driving controller and sequencer. Has it been worth the wait?
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
We check out this painstaking recreation of the rare and coveted Motown equaliser.
If you’re struggling to get everything in your mixes coming across loud and clear, read on.
Nektar’s LX Mini controller keyboard ticks all the right boxes.
Blurring the boundaries between classical music and ambient electronica, Max Richter is one of the most prominent composers of his generation. As of now, he’s also a studio owner...
In a world where makers of digital amp simulators take pride in offering a huge variety of models, Universal Audio have adopted a ‘less is more’ approach.
Theremins have been part of Moog’s story since day one, and their latest is the culmination of all that experience.
With its innovative modular approach to sound engines, this powerful stage keyboard should suit the needs of most performers!
Apogee and Bob Clearmountain have teamed up again to create a software recreation of MXR's vintage Auto Phaser and Auto Flanger modules.
We show you how to put your own stamp on Live 11’s new sonic content.
FX Modulator brings powerful new creative processing options to Cubase 12.
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
Can a pedal really replicate the classic studio sound of a tweed‑era Champ?
Diode‑based compressors can be delightful but also rather noisy. True to its name, the Zen promises a more peaceful approach...