SOUND ON SOUND
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We put this versatile homage to the classic British bus compressor through its paces.
This plate reverb emulation combines Relab's algorithmic reverberation tail technology with Kush's expertise in harmonic shaping and compression.
Searching for a crossover hit, the team behind classical tenor Andrea Bocelli turned to one of the all-time great rock producers.
Korg bring West Coast modular synthesis to the masses with their most ambitious Volca yet.
Musical creativity can be inspired by many different things, but our Editor In Chief finds that picking up an instrument he wouldn't normally play can stimulate new ideas...
Make Noise proudly promote the René as "the world's only 3D Cartesian Music Sequencer". I had no idea either, but it's been...
Max For Live has a rich assortment of step sequencers. We look at some of the best.
We put Nektar's ambitious foot controller through its, er, paces.
Oscillot recognise that many small studios don't have the space or resources to host multiple monitor systems, so they've created a virtual alternative to physical speaker switching.
Our engineer applies his mixing chops to put a professional sheen on an unrepeatable vocal-and-piano performance.
There are many ways to set up Pro Tools tracks, and not all of them are created equal!
I think an unbalanced stereo source will work fine into a balanced TRS input, but only the left channel will be heard. Am I correct?
Is this, as the manufacturers claim, the most authentic recreation of the venerable PulTec EQP‑1A?
I'm not really sure when it's best to use mono reverb effects — and how to pan the reverb when doing so — and when to use stereo reverb?
My Sterling Audio ST66 tube condenser mic has a mains AC power supply. Am I right in thinking therefore that I shouldn't use the 48V phantom power from my Audient iD4?
Rare Signals are new players in the plug-in market, and Transatlantic Plate Reverb is their first product.
The CP Series speakers represent QSC's first attempt at an 'entry level' range. We put them to the test!
Multi‑lane editing is the secret to working with MIDI notes and drum layers in context within Reason.
We put sE's claims of truly transparent gain to the test...
A chance meeting with a leading choral composer sparked a major new Spitfire library.