SOUND ON SOUND
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Cicks and pops can ruin a recording, not to mention causing vast amounts of annoyance and wasted time. Tracking down their causes can be far from easy — but our step-by-step troubleshooting guide is here to help.
First there was the 4416, then the 2816. Now Yamaha have announced a baby brother for their AW audio workstations, in the form of the AW16G.
Designed as a replacement for high-end tape-based multitracks, Otari's original RADAR 24-track random access recorder/editor captured a sizeable chunk of the pro market. We take a look at its successor, RADAR II, which offers a host of enhancements including 24-bit audio.
After the general guidelines on the approach and attitude you should adopt to a computer based audio system last month, Paul Wiffen gets down to the nitty-gritty of spec'ing your system and setting it up for minimum hassle and maximum results.
Tascam's new 48-channel digital console is an imposing sight, full of features and attractively priced. We get to grips with it...
The Voice One offers the second generation of TC-Helicon's pioneering modelling technology, along with powerful tools for manipulating and correcting pitch.
Since Microsoft released Windows 98 at the beginning of June, some PC musicians have held back to see how stable it is, while others have taken their chances. Martin Walker crosses his fingers and jumps the latest hurdles form Bill Gates.
You know how it is — you wait ages for a buss, and then eight of them come along at once. Hugh Robjohns flags down Mackie's entry into the digital mixing fray.
The Edirol SD90 combines Roland's Sound Canvas sound set with a USB audio and MIDI interface.
The latest addition to Boss & Roland's SP phrase sampler range, the SP505, is crammed full of sample-editing options and dance/hip-hop-oriented ROM sounds, and continues the current trend towards ever-expanding feature sets.
Roland's latest module provides the most affordable way yet to access the company's fine XV soundset, albeit with reduced polyphony and a less intuitive user interface compared to the more expensive XV5080. We weigh up the pros and cons.
When it comes to cabling, it pays to have the right connections. Paul White makes the introductions.
When is an iMac not an iMac, but still an iMac? When it's a new model featuring an Intel processor. We test Apple's first Intel-based Mac and see what the future holds for Mac musicians and audio engineers.
The latest version of Apple's Mac OS contains some excellent new features aimed at musicians and audio engineers. Is this one OS upgrade you won't mind performing on your studio computer?
Hot on the heels of their astonishing new Prophecy monophonic synthesizer, Korg are already near completing work on their next range of workstations, entitled Trinity. Gordon Reid was allowed a sneak preview of the next generation...
Soundscape have always been renowned for the stability of their DSP-based PC recording systems. Their latest development is a unique new way of integrating native CPU power into the Soundscape environment.
Hard disk recording always strtches any computer to the limit, and if you want eight simultaneous tracks or more you'll definitely need help. Martin Walker finds out whether the V8 system can come to the rescue.
Apogee have an enviable reputation for their state-of-the-art digital converters, but their new Trak 2 also includes sophisticated mic preamplification.
The sheer power of Emu's three ESI samplers has endeared them to many home musicians on a budget. However, it can be tricky to get the most out of these machines, so here are some power-user tips to help you.
Brian Heywood brings you the latest PC News, and looks back on three years of PC Notes.