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Last year's best-selling UK single came not from Westlife or All Saints, but a pre-school kids'TV series. Sam Inglis asks its composer and producer how they turned the theme into a hit.

The Strokes' Is This It was many critics' choice for the best album of 2001, and has gone platinum in the UK. Remarkably, it was recorded in a basic New York project studio by a then-unknown producer.

Part 2: Gordon Reid concludes his review of Korg's new family of workstations.

In Contra, Vampire Weekend have made one of the more unlikely US hit albums of recent years. Guitarist Rostam Batmanglij and engineer Justin Gerrish explain how they wowed American audiences with African influences.

Sam Inglis catches up with man behind one of the year 2000's biggest dance hits, and hears about a tangled web of remixes, bootlegs and licensing deals; not to mention the most bizarre synthesizer on the market today...

Aided by its memorable video and starring role in an iPod ad, Feist's '1234' has been a refreshingly different worldwide hit. Renaud Letang was behind the (vintage) desk during the recording and mixing sessions.

John Oram now puts hsi name to his own range of mixers and studio outboard, after a varied career including many years of design experience with some of the big names in British audio. Paul White enjoys a slice of sonic history.

Martin Russ puts the latest doom and gloom Apple news from the media into context.

The perfect project studio doesn't exist, as everyone has different working methods — and so it is with equipment for creating music for picture. However, there are some fundamental bits of gear you will need. We provide some guidance...

Now that Korg's Legacy Collection is properly complete, we follow up last month's preview with the first instalment of our three-part in-depth review. This month, we focus on the Korg Wavestation plug-in...

The latest incarnation of NI's Kore system introduces an updated controller, redesigned and streamlined software and a generous library of built-in sounds. So is Kore all you need to get the most out of your software instruments and effects?

Despite having waited eight years to create the follow-up to his 1988 solo album, experimental composer Harold Budd composed and recorded the new album, Luxa, in just 11 days.

Nowadays, plenty of hit albums are recorded in bedroom studios — but Liam Howlett of the Prodigy has gone one better, by recording his latest in bed.

With its 150-plus tracks encompassing everything from a marching band to a children's choir, it took a special talent to craft a hard-hitting, radio-friendly mix from My Chemical Romance's 'Welcome To The Black Parade'. Enter Chris Lord-Alge...


Sample & Hold modules, as explained last month, convert a continuously varying signal into a stepped series of fixed pitches. And this, as we shall see, is the basis of what we know as 'digital audio'...

Expanding on the modelling technology used in their Variax and Variax Acoustic, Line 6 have dropped an octave and turned their attention to the bass guitar. The Variax Bass features 24 models of 'classic' instruments — is it all the bass you'll ever need?

The business of TV and film is changing fast, and production or library music is becoming ever more important. One of the UK's most experienced production music composers explains how to get your foot in the door.

Seven top 10 singles isnt bad going for a career, let alone one album, yet thats precisely what Bruce Springsteen achieved with his smash hit 1984 LP, Born In The USA. This is the story of how it was made...