SOUND ON SOUND
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Under the guidance of engineer and producer Maxime Le Guil, Vincent Delerm forsook grand orchestration for the humble piano — bowed, plucked and hammered...
The 1975's chart-topping album is just one of a string of hit debuts engineered, mixed and produced by Mike Crossey.
Love And War was not only a remarkable comeback for singer Tamar Braxton, but a breakthrough opportunity for engineer and mixer Mikey Donaldson.
A simple song and an outrageous video turned Robin Thicke from a star to a superstar — with the aid of master mixer Tony Maserati.
Jamie Cullum's sixth studio album, Momentum, sees the British pianist and singer further expanding his stylistic palette.
Hey man, nobody ever asks me about this stuff. I love talking about it, so thank you,” exclaims J. Cole.
Under the guidance of Rick Rubin, Black Sabbath returned to their roots. Mixed by Andrew Scheps, the resulting album topped charts worldwide.
Daft Punk spent four years and over a million dollars on their quest to revisit the golden age of record production. Mick Guzauski and Peter Franco were with them all the way.
Ken Andrews won a blind shoot-out against some of the biggest names in the mixing world. His prize: the plum job of mixing Paramore’s acclaimed comeback album.
Nearly 30 years after they burst onto the scene, Bon Jovi continue to top charts worldwide.
Not only did the Les Misérables crew have to capture live singing on a film set: they then had to figure out how to overdub orchestral arrangements to it!
In his quest for authenticity, director Tom Hooper drove his Les Misérables technical crew to completely reinvent film soundtrack recording.
The film of Led Zeppelin’s reunion concert was five years in the making — yet Alan Moulder had only three weeks to mix the entire soundtrack!
Would you hire a mixer who doesn’t believe in panning? The Lumineers did — and were rewarded with a hit album.
Their latest album saw Aerosmith return to their roots, with Jack Douglas in the producer’s chair. But it wasn’t all retro...
Underpinning the biggest spectacle of 2012 London Olympic Games was probably the largest multitrack recording ever made. Just how do you mix a thousand-track project?
Steve Greenwell knew he wanted a live feel for Joss Stone’s second album of soul covers, but finding the right mix was more of a challenge.
We’re used to hearing rock albums reworked by electronic producers — but Alanis Morissette chose to do things the other way around...
Jeff Bhasker doesn’t usually mix his own productions or work with indie-rock bands. With Fun, he did both — and created a worldwide hit.
All it took to make a star of Carly Rae Jepsen was one memorable song — and, in Dave Ogilvie, a mix engineer who understood how to make it stand out.