SOUND ON SOUND
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In the first of this two-part series, David Mellor gives us an introduction to mic polar patterns.
Guy Massey talks about his training at Abbey Road, how this gave him the confidence and experience to become freelance, and how he enjoys blending new technology with traditional recording spaces.
A valuable test for recording engineers, David Mellor gives examples of different mic types to emphasise the importance of knowing your mic collection in detail.
Having teenage children is a great way to stay in touch with the next generation. So imagine my surprise when my eldest’s number one request for Christmas 2023 was... a CD player!
Henrietta Smith-Rolla, known professionally as Afrodeutsche, gives Caro C insights into her musical journey, from her introduction to the music industry in Manchester, signing to Skam Records and becoming a BBC 6 Music DJ.
Can these small two‑way monitors really deliver accurate sub‑bass information at the mix?
Software‑controlled ‘patchbays’ are invaluable for recall and routing in hybrid studios. Is this the right one for you?
Eirik ‘Pytten’ Hundvin’s work with Mayhem continues to inspire producers, 30 years on. Two of the genre’s leading lights explain how they are taking black metal forwards.
This compact, versatile channel strip boasts SD card recording, USB audio interfacing and mix‑minus phone integration.
Steinberg’s Vocoder plug‑in has finally made it into the 64‑bit world and has also undergone a smart visual makeover.
Fatboy Slim’s dream of universal 303 ownership inches a little closer with this cut‑price acid box.
DP’s comp and take management features help you assemble the perfect performance.
Gig Performer is a live plug‑in platform that’s as configurable as it is crash‑proof.
Harrison’s console‑derived channel strip plug‑in majors on speed and immediacy.
Heavyocity’s supercharged sequel rockets into orbit.
Are Icon’s latest range of control surfaces the perfect interface between human and DAW?
Jack Harlow’s smash hit ‘Lovin On Me’ is the perfect marriage of old‑school sample manipulation and 21st Century laptop production.
Dual effects chains offer huge creative potential.
Most audio interface designs are based around technology from British innovators XMOS. What makes the xcore platform so ubiquitous, and what does it mean for musicians?
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