SOUND ON SOUND
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Prism Sound's Orpheus interface brings the company's highend digital conversion technology within reach of the project studio owner for the first time.
This “portable production system” certainly looks the part, but does its performance measure up to its dramatic styling?
This new mixer caters for those who found TL Audio's M3 too small, and the flagship VTC too big. But is the M4 just right?
The most affordable Pro Tools system ever promises trouble-free USB recording, high-quality audio hardware and the freedom to record wherever you want. Is it too good to be true?
These compact, lightweight mixers are designed with live DJ-style performance in mind, but with an audio interface on board, there's plenty of flexibility when it comes to recording too.
We help install the equipment won by one of the lucky winners of the SOS and Digital Village prize draw held at Sounds Expo 2007.
Legendary rockers Deep Purple are back with a new, self-produced album. Sharon Stancavage talks to bassist Roger Glover and engineer Darren Schneider about how it was recorded.
Over almost a decade, Pianoteq has gone from strength to strength. Version 5 offers astonishing realism with remarkably low CPU and hard-drive requirements.
This month we journey to the Outer Hebrides, where a college teaching Gaelic music has more than a few wires crossed...
Soundcraft's new mixer attempts to combine budget pricing with a level of performance capable of doing justice to the new breed of digital multitrack machines. Paul White finds out how well it succeeds.
This modular monitor controller system offers an easy upgrade path from stereo to surround capability, and transparent audio quality to boot.
Yamahas DTX950K kit combines cutting-edge drum-pad technology, heavy-duty hardware and an advanced brain — but what does it sound like and how does it play?
Phonic's new MRS1-20 brings analogue surround mixing to the project studio market for the first time.
As its name suggests, the Nucleus is designed to be the core of your studio. It’s ambitious, but if anyone can pull it off, SSL can...
Mindprint cram mic and line channel strips, monitor control, and talkback into a single desktop unit.
RME pass down some of the excellent features of their Fireface 800 to the more affordable 400 model, but have they cut any corners in doing so?
David Ashman felt that his mixes lacked energy and were sounding 'too digital', so the SOS team set off to his home in Bristol to sort out his monitoring system and mix processing.
• Kahler 2300 Series Locking Tremolos • IK Multimedia Stealthplug USB guitar interface
In the first of a two-part series on using impulse responses in Reaper’s ReaVerb, we look at the basics: selecting, loading and editing. • Read Part 1