Apple

Why is no-one giving Mac sequencers away for nothing? Martin Russ dives into the sobering world of shareware and freeware.

Martin Russ looks at some of QuickTime 3's new features, and considers why the 'computer-as-complete-recording-studio' approach isn't always the best one...

Having whetted his appetite for MacOS-based software synthsis last issue, this month Martin Russ takes a closer look...

The iMac has been shrouded in mystery since its announcement by Apple — and some of the puzzles just won't go away, even now the first machines have shipped. Martin Russ investigates.

As it was, as it is, and as it may be. Martin Russ looks ahead to where musical Macs may be going.

Good news, good news and more good news. Martin Russ just can't believe his luck.

Martin Russ looks forwards and backwards this month, with visits to the limits of Mac-Time, the year 2000, MacOS 10, and a modern version of yesterday's analogues.

Martin Russ realises the worth of Metadata, and brings glad tidings of profitable Apples...

Martin Russ looks at the musical suitability of Apple's latest portable computers, and the possibilities that may be opened up by their rumoured 'Consumer Portable'.

Martin Russ explores his new G3 Mac a little further, and looks at the music prospects for Apple's new iBook.