SOUND ON SOUND
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before becoming Executive Editor in 2020. Paul has written over 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s, he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
This imposing valve mic from Australian newcomers Rode looks and sounds expensive, but costs a lot less than comparable models from more familiar manufacturers. Jolly swagman Paul 'Bruce' White looks down under, on top, and inside.
SPL's Vitalizers work in mysterious ways to give added life even to good recordings. Now a new model incorporates valves, compressors, filters, and extra controllability, for yet more audio magic. Paul White opens a box of tricks.
Modern synths are undeniably powerful, but for many users that power remains locked in by non-intuitive digital parameter access editing. Paul White and Paul Nagle check out a pair of knob-equipped hardware programmers that could reveal hidden depths for Microwave and Matrix 1000 owners.
Have you ever wished you could create strange, ethereal textures like the ones you hear on the best sample CDs? Paul White shows that it's not as difficult as it might seem.
ART have followed up their single-channel Tube MP valve mic preamp by developing two more tube designs for both the project studio owner and the audio professional. Paul White huddles round to warm his signals...
Axe devotees may be surprised to learn that Marshall released this little-known digital effects processor last year. Paul White gets in his annual half-hour's guitar practise, and finds an overlooked unit worthy of some consideration...
Jazz saxophonist Courtney Pine is breaking down the barriers between acoustic and electronic sound generation, marrying jazz with modern forms such as hip hop in a cross-genre partnership which is partly forged in his own home studio. Paul White hears some Modern day jazz stories.
Paul White reveals how to create rhythmic gate effects, both using conventional hardware and MIDI Controller information.
Building on their US reputation, Audix mics are now available in the UK. Paul White takes a listen.
Paul White checks out the latest addition to TL Audio's new Indigo range.