Paul White explores the creative potential of using 'found' sounds, demonstrating how items found within your surroundings can be sampled, manipulated and transformed.
In this episode, Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves.
For musicians and producers that struggle to finish tracks, Eddie Bazil explains the benefits of creating musical snippets and gives us some examples as to how we can tap into different moods, and use sound design techniques to create something unique.
Pedals are not just for guitars. Here Paul White connects his extensive pedal collection to a modular synth system, effectively using the pedals as additional modules and suggesting some creative ways of setting them up.
Eddie Bazil gives us three masterclass pointers on constructing beats, incorporating useful tools such as Drum Replacement software and pre-constructed Loops...
Sam Boydell talks us through selecting an orchestral sound library, creating a simple string motif and incorporating more realism into the finished piece.
In the first of a two-part series, Eddie Bazil explains how some simple adjustments in your DAW will help you achieve more bounce in your drum beats, by adding syncopation, swing and dynamism.
In this third episode David continues looking at preamps, outlines the use of VU meters, and explains the benefits of balancing a track prior to mixing.
In this fourth and final episode, David Mellor delves into Gain Staging your plug-ins and how to avoid clipping during the mixing and mastering stages.
In the second episode David Mellor focuses on gain staging during recording, by balancing mic input, preamps and gain within your DAW to achieve the optimal sound level.
David Mellor introduces us to Gain Staging in a brand new series of podcasts. In this first episode he explains the correct use of terminology and gives his three golden rules of Gain Staging.
Eddie Bazil demystifies Compression and Expansion with a detailed explanation of their uses, which he demonstrates using plug-ins through seven practical examples.
Paul White explains how to get the best out of Amp Simulation software, from achieving a good guitar input signal, setting up effective monitoring for encouraging the best performance and tips on obtaining the desired end-effect.
Mark Mynett, sound engineer and senior lecturer at Huddersfield University, gives us an in-depth look at how to process and mix the various elements of a song recorded using live instruments.
In part four of his recording series Mark Mynett details how to prepare a vocalist for studio recording and how to select and set up your recording equipment for optimal results.