SOUND ON SOUND
Chris Rabold has gone from selling T-shirts out of a van to mixing Bruno Mars' epic two-year 24K Magic tour.
Sound designer Walter Trarbach and Foley artist Mike Dobson tell us how they created the sound world for this unique musical adaptation of a hit cartoon.
There are many jobs involved in large-scale touring — and established front-of-house mixer Bryony October has pretty much done them all.
Using a unique combination of virtual musicians and acoustics manipulation, Dr Shelley Katz aims to bring orchestral performances to even the most modest of venues.
Top FOH engineers tell us which stage vocal mics they recommend — and why!
Oasis’s 1996 gig at Knebworth marked the end of an era for point–source PA. We asked the people who made it happen what has changed since.
Mixing a band like Goldfrapp is challenging enough — but when you add an orchestra, a 50–piece choir and a notoriously tricky venue, things really start to get interesting.
Few have contributed as much to the technology behind rock & roll as Charlie Watkins and his company, WEM. We celebrate the life of one of audio’s great inventors.