SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
More than 30 years after the original 1176 was introduced, it has been put back into production by the designer's sons. Hugh Robjohns investigates the latest and most authentic reproduction of this classic 1960s compressor.
Although the binaural recording technique drifts in and out of fashion, it is nonetheless useful...
Many 'classic' analogue synths are getting on for 30 years old now, yet they are still highly sought after. Hugh Robjohns reports on a company that specialises in finding and fixing vintage electronic instruments.
I'm trying to set up my digital recording system so that I don't have to do any repatching. I'm using a Wami Rack 24 audio...
Quested have addressed the negative points of our previous F11 review, and incorporated a few small but significant improvements along the way. In the process, they've updated the original F11, and introduced a new passive version, the F11P.
Hugh Robjohns checks out the new hardware incarnation of Antares' award-winning microphone-modelling software.
Quested have not only updated the original F11, but also introduced a new passive version, the F11P.
Hugh Robjohns twsts Millennia's flagship STT1 recording channel which offers elements of their entire product line all in one ultra-flexible box.
In the middle of November I sat down to do some recording, to find that interference was affecting my equipment. It hasn't...
More Pro tools users than ever will now have the option of ditching the mouse and mixing from a full-featured hardware control surface, thanks to this collaboration between Digidesign and Focusrite. Hugh Robjohns and Paul White get their hands on the Control 24.