SOUND ON SOUND
Hugh Robjohns has been Sound On Sound's Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC's technical training centre.
He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too!
Although the binaural recording technique drifts in and out of fashion, it is nonetheless useful...
Quested have addressed the negative points of our previous F11 review, and incorporated a few small but significant improvements along the way. In the process, they've updated the original F11, and introduced a new passive version, the F11P.
Hugh Robjohns checks out the new hardware incarnation of Antares' award-winning microphone-modelling software.
Quested have not only updated the original F11, but also introduced a new passive version, the F11P.
Hugh Robjohns twsts Millennia's flagship STT1 recording channel which offers elements of their entire product line all in one ultra-flexible box.
I'm trying to set up my digital recording system so that I don't have to do any repatching. I'm using a Wami Rack 24 audio...
I am beginning to expand and improve my home studio, and am now deciding on a monitoring system. After studying the...
Hugh Robjohns tests a new monitor that has already acquired some major users.
Necessity is the mother of invention, they say, and that was certainly the case when Gregg Jackman decided to find a better way of recording string sections playing loud rock concerts. Hugh Robjohns talks to this inventive recording engineer.
Hugh Robjohns and Mike Senior explains how to get great results when creating arrangements one track at a time.